So, I figured its time for another post before March ends as I've been neglecting this blog for a while mainly due to some family issues of late but things are starting to return to normal, so I will try and get one or two more in soon.
So, I have chosen to take another revisit to one of my previous posts, which was a revisit of a Doctor Who story I reviewed from the Tom Baker era called The Deadly Assassin. So, this story is often considered a classic from the Baker era, so we'll see how it fairs.
And the usual warning is coming...
PLOT SPOILERS ARE AHEAD!!!
STORY
So, the story begins not long after the Doctor (Baker) now in his
fourth incarnation, has parted company with Sarah Jane Smith (Lis
Sladen in the previous story, The Hand of Fear) as he travels to Gallifrey he has a premonition of the
assassination of the president of the Time Lords. The Doctor arrives on
Gallifrey however the chancellory guard are sent immediately to impound
the TARDIS, which is classified as a type 40, which is no longer in
service. The Doctor manages to sneak out of the TARDIS and make his way
to a lift which leads to the main tower, where he is about to be
arrested by a soldier, who is killed by a mysterious figure.
The Doctor
then manages to sneak back to the TARDIS and watches a newscast by a
reporter named Runcible (Hugh Walters) who reports that the president is
set to retire and to name his successor. Runcible also talks with
Cardinal Borusa (Angus MacKay) who is a former teacher of the Doctor
from his days at the Time Lord academy. The TARDIS is then transducted
into the museum within the Capitol and the Doctor borrows some
Gallifreyan Time Lord robes. Meanwhile several floors below the main
tower, we see the Master (Peter Pratt) who is now severely emaciated in
form, speak with a masked accomplice and the Master tells them that the
trap is set and the Doctor must die quickly.
The Doctor
then makes his way into the ceremonial chamber, the Panoptican, and he
speaks with Runcible before the President appears. The Doctor then
spots a camera up at an unguarded catwalk and next to the camera is a
sniper rifle, which leads the Doctor to race up toward the catwalk,
fighting past the crowd of Time Lords. The Doctor arrives at the
catwalk and takes the sniper rifle as he appears to spot the assassin in
the crowd, the Doctor takes aim and fires and at that point the
President collapses, dead.
The Doctor is then immediately assumed to be
the killer and arrested and under interrogation he insists that he was
framed for the murder. The head of security, Castellan Spandrell
(George Pravda) questions the Doctor and starts to believe his story and
asks for archivist, co-ordinator Engin (Erik Chitty) to help him in a
private investigation into the crime with the Doctor. The Doctor also
invokes article 17 at his trial, which allows him to announce himself as
a candidate for the presidency, which allows him a stay of execution as
well before his sentence can be carried out, much to the chagrin of one
of the prime candidates for the presidential role, the ambitious
Chancellor Goth (Bernard Horsfall).
The Doctor
begins to help Spandrell in his investigation and shows him the sniper
rifle he used had the sights fixed so there wasn't a chance that he
could have hit the preisdent if he tried. The Doctor also suggests that
the access the video camera box next to the catwalk which could
possibly reveal who the real assassin might be, however before they can
get there the Master removes the tape and kills Runcible and his
technician.
The Doctor then is shown by Engin, the Matrix, which is a
large neural network in which thoughts can be beamed directly into
another person's mind and presented as virtual reality, which the Doctor
realises the Master himself has used the Matrix and created the
premonition of the president's murder and projected into the Doctor's
mind. The Doctor then decides to try and track the Master by joining
his mind into the Matrix, however by doing so he could risk being
killed, as if he dies in the Matrix he will also die in reality and with
that the Doctor enters the Matrix where he faces a series of dangers
and nightmares, which will eventually lead him to finding the identity
of the killer....
THOUGHTS
The Deadly
Assassin is unique in itself as it is one of the few stories and the
only one up to this point where the Doctor does not have a companion and
its a highly entertaining one in its own right, penned by the script
editor at the time, Robert Holmes (who singled handedly contributed more
to the series history than any other writer, well up to this point!). The story also expanded
on the background of the Time Lords and it was the first story to
exclusively feature Gallifrey as prior to this we had briefly seen
Gallifrey in the Jon Pertwee story, The Three Doctors, but the planet
was unnamed back then.
The Time Lords themselves are presented as a
somewhat orderly and pompous race and their somewhat outlandish clothes
and robes actually make the story quite stylish and individualistic.
But the story is also notable for finally revealing how long a Time Lord
can live as they can regenerate 12 times after this time they will die
and this is clearly also highlighted in the story that the Master
already had used up his regenerations and is on his last legs which
explains his decrepit form.
It also introduces a few other concepts
such as the CIA, which is an amusing take on American acronym, which
Engin reveals as the Celestial Intervention Agency, who allegedly played
a part in commuting the Doctor's exile on Earth. It also introduced
the Eye of Harmony, which is the power source for the Time Lord's time
travel, which was later housed in the Doctor's own TARDIS in "Doctor Who: The Movie" starring Paul McGann.
So the story certainly broke alot of new ground for the show and
certainly was a landmark in that regard in expanding on the Time Lords
mythology and background. You could also say that the story in a way
was a precursor to the Matrix film series as the premise of the films
aren't all that different in terms of the actual matrix itself in that
its a large neural network in which people live in a virtual reality and
its the same here with the Doctor in the 3rd episode as he enters the
matrix and fights for his survival.
PERFORMANCES AND NOTABLE SCENES (Warning: this section may contain spoilers!)
As for the
performances well they are all very good here.
Starting with Tom Baker as usual
providing some wonderful stuff and by this time he had become
very comfortable in the role as the Doctor and he has some great lines in
the show as well as some great scenes.
So, a few examples include the scene where
the Doctor disguised in robes has a chat with Runcible, the reporter,
who asks him he has had a face lift and the Doctor says "Several so
far!". And as the Doctor watches out for the guards he looks down at
whinces and pats his knee and Runcible asks "Are you alright?" and the
Doctor says "Oh, just a twinge in the knee!". But then the Doctor
suddenly notices looking up, a rifle on the railing and he starts to run
to get up there, shouting "Let me go!" and he get's up to the gallery
and takes the rifle and looks down as the President arrives and the
Doctor takes aim and fires.....
There is also the scene where the Doctor tells Spandrell and
Engin of the possibility that the Master could have manipulated the
Matrix to beam the premonition of the president into his mind, but Engin
insists that the Master would have to have incredible mathematical
skill and asks how good was he and The Doctor says "He's brilliant!
Absolutely brilliant! Almost up to my standard!". And the Doctor also
states how the Time Lords technology does not compare to other worlds
and how the Master could manipulate it easily "Child's play to the
Master. Do you think this stuff is
sophisticated? There are worlds out there where this kind of equipment
would be
considered prehistoric junk!".
And then we have the scene (SPOILER!!) with the great line when the Doctor tries to question the dying Chancellor
Goth, and tries to find out what the Master's plan was, but Goth dies. So, the Doctor sighs and says to himself "Never a straight answer to a straight question!
Typical politician!".
Then there is the scene when the Doctor has Engin play him an
old recording that speaks of the Eye of Harmony and the Doctor finally
manages to put the pieces together regarding what the Master's plan
was. And the Doctor says "What a stupendous egotist!" and Engin asks
"Who?" and the Doctor says "The Master! He'd have destroyed Gallifrey,
the Time Lords, everything, just for the sake of his own survival!".
But then Spandrell comes in with the Master's syrgine that he used
earlier to apparently kill himself and the Doctor smells the residue of
its contents and he suddenly realises the Master is far from dead. And
he tells Spandrell "Its a neural inhibitor! Spandrell, we've been
fooled! The Master he's still alive!".
And last of all is the scene where the Doctor
George Pravda is also excellent
in his role as Castellan Spandrell, the head of security in the Capitol
who has a rather amusing cynical word weary quality to his performance
and he also has some good scenes in the story.
Then there is the scene where Spandrell hears out the Doctor's case to try and prove his innocence and he shows him the sights had been fixed on the rifle he tried to use to shoot the assassin. And the Doc says "I saw him draw a staser and step forward. I aimed a bolt at him, but at that time I didn't know the sights had been fixed". However, Spandrell looks sceptically at the Doctor and says "One of the High council. Its getting better and better!" and the Doctor asks "What is?" and Spandrell says "Your story. But still a story. Where is the evidence, Doctor?!". And the Doctor realises where it is "I'll tell you where the evidence is. In the Public Register camera. I was standing right beside it" and Spandrell smiles and says "Doctor, you may end up as President!".
And last of all there is the scene at the end (SPOILER!!!) where we see the Master leave Gallifrey in his TARDIS (disguised as a grandfather clock). And Engin asks Spandrell "Where do you think they're heading?" and Spandrell says "Out into the universe and between you and me, I don't think its big enough for the both of them!".
Bernard Horsfall is great in his role as the ambitious Chancellor Goth who (PLOT SPOILER!!!!!!) turns out to be the assassin who is used by the Master for his own nefarious ends.
Angus MacKay also does a great job as Cardinal Borusa, the pompous and authoratative figurehead in the Capitol who looks down on those around him and tries to play down the reality of the assassination so public perceptions wouldn't tarnish Goth's reputation.
MacKay has quite a few good scene too but I will only mention a couple, the first being where Borusa cheeikly dismisses the reporter, Runcible, one of his former students when Runcible tries to ask him a question. And Borusa says "Runcible, you had ample time to ask me questions at your mispent years at the academy. You failed to avail yourself of the opportunity then and it is too late now. Good day!" and he walks off!
And secondly there is the scene near the end when Borusa reflects on the damage the Master had caused in Gallifrey. And Borusa says "Half the city in ruins. Untold damage. Countless lives lost!" but Engin offers "But if it weren't for the Doctor, it could have been much worse" and Borusa says "Yes indeed, I am conscious of the debt we owe the Doctor. But Gallifrey has never know such a catastrophe, such devastation. What will we say?". And the Doctor smiles and says "Well, you'll just have to adjust the truth again, Cardinal. What about subsidence owing to a plague of mice?". And this leads into the great line from Borusa "As I believe I told you long ago, Doctor, you will never amount to anything in the galaxy while you retain your propensity of vulgar facetiousness!".
Erik Chitty is also pretty good in his role as the elderly Time Lord, Co-ordinator Engin, who helps Spandrell and the Doctor and he provides a bit of charm to the story as Engin is something of an affable old fella.
And I will just mention one of Erik's scene and its the one where the Doctor is asked to help Engin do a bio of the Master for their records. And Engin asks the Doctor "What about his character?" and the Doctor simply says "Bad!" and Engin sighs saying "Oh, Doctor, could you please be a little more specific?!".
And last of all is Peter Pratt as the Master, however for me he is the weak link in the cast as his performance simply cannot live up to the menace and charm that Roger Delgado originally brought to the role so well during the Pertwee era. And here Pratt delivers a far more one note, serious performance and he doesn't really provide any real threat to the character.
And later there is the scene where the Master tries to trap the Doctor in the Matrix but in doing so he will effectively kill Goth, who is still attached to the machine. And the Master berates Goth by shouting "You wistful, craven-hearted, spineless poltroon! You failed me!". Then the Master says of the Doctor "There is only one chance now. I must trap him in the Matrix" and Goth pleads with him "No, Master, no! For pity's sake! The connections. You'll kill me!" and the Master angrily says "I have no time to waste on you!" and he presses a button that causes a fire that surrounds Goth, who screams. And afterward, we see Goth's skin is charred and he is now dying and he says weakly to the Master "You fiend! Why did I believe in you?!" and the Master takes out a needle and says "I'll cheat them yet! I'm not beaten!".
DIRECTOR AND MUSIC
As for the
direction, David Maloney does a great job with the story and he keeps the
story's pace quite taut throughout and in particular he creates a great
sense of tension and suspense during the story's nightmare sequences in
the Matrix where the Doctor is involved in a psychological game of cat
and mouse. These sequences feature some memorable moments such as the
Doctor getting his foot caught in a railtrack only to face an oncoming
mini railtrain coming straight at him as well as nod to North by
Northwest where the assassin tries to gun down the Doctor in a plane
armed with machine guns and also the climactic fight scene between the
Doctor and the assassin (Goth).
As for the music, Dudley Simpson
provides another excellent score which for a change features some organ
music, which
perfectly suits the dramatic tone of the scenes in the Panoptican and
its actually the aspect that stands out the most regarding the story.
So overall its another very fine score from the series regular composer
of the time until the end of the 1970s.
FLAWS (Warning: this section may also contain spoilers!)
So
regarding flaws.... does The Deadly Assassin have any??? Well it does have some but nothing too major.
But to kick off with what flaws it does have I would say one of them
comes down to
the portrayal of the Time Lords as just yet another pompous (not to
mention all English
accented!) race with high opinions of themselves, which makes for a
somewhat narrow minded view of what could very well be a very diverse
race of aliens. But to be fair this story was only the first proper
introduction of the race and is only the first story to fully feature on
Gallifrey (in fact I might be wrong but it could be the only one!).
The story also does feature one or two comical
moments such as the scene in the nightmare sequence where the Doctor
supposedly falls over the edge of a cliff. However we in fact just see that
Tom Baker is dangling from a very slight and small ledge and then all of
a sudden a samurai warrior turns up and pulls out his sword and cuts
the Doctor's scarf in two, which he was using to try and climb back up.
The climactic fight scene between the Doctor and Goth in the matrix is
also a bit comical as during the fight scene we can clearly see Tom
Baker's stunt double (played by the series stalwart stunt actor, Terry
Walsh) wearing a curly black wig, and the fight scene in those moments
looks pretty daft and undercuts the effectiveness of the fight itself.
I also found it a bit strange how Commander Hildred (Derek Seaton) would
take such pleasure in being rather sadistic towards the Doctor as he
essentially tortures him for information, it doesn't really seem to be
holding with as Borusa himself said the Time Lords traditions of justice
and fairness. But then again the guy is a guard, so this is probably
the first bit of action he's had in quite a while and he doesn't get to
torture too many presidential assassins, so perhaps he was allowed to go
a bit nuts here!
Another issue I had was to do with not so much Goth being the assassin,
that part is OK in itself, but its more to do with the fact that they
don't really disguise his voice very well in episode three when the
Doctor fights Goth in the Matrix world especially when we hear Goth's
laugh when he flies the bi-plane and shoots at the Doctor. I mean its
pretty bloody obvious at this point that Goth is the assassin as he is
not disguising his voice at all here! And when it get's to the final
reveal, Goth's cover is already totally out the window and we know full
well he is the assassin before he even takes off his mask!!
And last of all there is the scene where the Doctor asks the Master "Why
have you brought me here?!" and the Master says he brought him as a
scapegoat for killing the President. Now yeah OK, I get that, but
surely the Doctor already knows this, because earlier on when he was
being interrogated by Spandrell he tells him "I've been framed!" and
"Someone has gone to a great deal of trouble to get me into this
mess!". So by saying that, the Doctor knows that the Master is behind
it, so there is no need for him to ask why he was brought to Gallifrey
in the first place, so this moment is a bit redundant and if anything it
just serves to spell it out to the audience.
Anyway so that's for the flaws.
SUM UP
So to sum it all up, The Deadly Assassin is easily one of the best
stories of the Tom Baker era of the show. It features some great
performances from its cast, a very solid script by Robert Holmes that
reveals quite alot of crucial information about Time Lord history not to
mention their life cycle. It also is very well directed by the series
veteran director, David Maloney, who had already directed quite a few
classics in the series (The Mind Robber, War Games, Genesis of the
Daleks to name a few) and this one is no exception.
The story also stands alone (or maybe not, not too sure!) in being quite
unique in that its perhaps the only one where the Doctor has no
companion, yet the the supporting characters more than make up for this
as they are so well written, and Spandrell and Engin still stand in
nicely as the Doctor's companions here.
So, overall this is great story and one of the best of the Philip Hinchcliffe producer era of the show, which was a considered a golden age of the original show at the time and rightly so, as this story is testament again to what a strong era this was in the show's original run.
So, I will rate this story:
10 out of 10
So, that's it for now and I will be back soon with another post at some point hopefully not too far off April, so until then its bye for now!
No comments:
Post a Comment