So, I figured its time for another revisitation post as I recently have been re-watching the Star Trek films including this one I will be looking at again, Star Trek IV: The Voyage Home.
And after 36 years, its time for another look at this much loved entry in the Star Trek franchise...
STORY
So, the story begins in
deep space where an giant orbiting probe sends out powerful signals,
which ends up disabling starships that it passes by. The probe then
arrives over the Earth where it signals end up doing serious damage to
the Earth's atmosphere and creating heavy storms. The Federation
President (Robert Ellenstein) is then soon advised by Spock's father,
Sarek (Mark Lenard) who is also the Vulcan ambassador, to send out a
planetary distress signal.
Meanwhile the USS Enterprise crew (or rather the late Enterprise as it
was destroyed during the events of Star Trek III) have been living in
exile on Vulcan, where
Spock (Leonard Nimoy) is still recovering from the experience of his
Vulcan resurrection where his living essence was restored to his body at
the end of STIII.
Kirk (William Shatner) and his crew at this time are ready to travel
back to Earth to face the consequences of their theft and destruction of
the Enterprise.
Enroute meanwhile for former Enterprise crew, while traveling in their captured Klingon vessel,
they receive the president's distress call, and on hearing the
probe's signal, Spock soon deduces the signal is that of whale song,
sung by humpback whales. Spock then proposes to Kirk that they attempt
time travel to go back in time to the 20th century where they can hope
to find and take a humpback whale back into the future to communicate with the prob. Kirk briefly
and manages to communicate with Starfleet command long
enough to tell them his theory, and after this Kirk and crew
successfully make a timewarp leap back in time via a slingshot round the
sun.
The crew soon find that they have arrived back
in 1986, however the chief engineer, Scotty (James Doohan) tells Kirk
that the time travel has drained the ship's power crystals, and after 24
hours they will be out of power and visible. On arriving on the
surface of the planet, the crew find that they are San Francisco, and
Kirk has his crew split up into two teams, with Dr McCoy (DeForrest
Kelley), Sulu (James Takei) and Scotty being given the task to create a
whale tank, whereas Chekov (Walter Koenig) and Uhura (Nichelle Nichols)
are to find nucelar naval vessels in order to recharge the ship's
power.
Meanwhile Kirk and Spock find out the location of two humpback
whales, which are kept at a Cetacean institute, which are nicknamed
George and Gracie. The tour director, Dr Gillian Taylor (Catherine
Hicks) gives a tour to a group, along with Kirk and Spock, who
discreetly slips away and enters the tank to perform a mind meld with
one of the whales. Taylor is outraged by Spock's actions, but Kirk
insists they mean no harm, and later on Taylor meets up with Kirk, where
he tells them half the truth he needs the whales to be brought back into
the future.
Meanwhile Chekov and Uhura, who locate a naval ship,
manage to drain enough of the vessel's energy to refuel the klingon
ship. Chekov however is captured, and on attempting to flee he falls
and is critically injured. This leaves Kirk with limited time to find the
whales, save Chekov, create the tank and try and get back to his own
time to save the Earth's future....
THOUGHTS
Star Trek IV: The
Voyage Home is generally considered to be one of the most popular
entries in the Star Trek movie franchise, and its pretty easy to see why
as it remains a very entertaining and also a lighthearted film.
And the interesting thing in this film is that for once there is no
actual villain, as the main problem: the probe, which does all the
damage to Earth is merely trying to find out what has happened to the
whale species, and as Spock suggests it maybe unaware of the damage it
is causing.
The film is also that bit more humorous than most of the
entries in the Star Trek world, and there are plenty of amusing moments
especially when Krik and his crew travel back in time to San Francisco
and they are taken by surprise at the people's customs and behaviour at
the time, especially Spock. The re-training of Spock's mind in a strict
Vulcan fashion, also makes for quite a few funny moments in the film as
Spock clearly struggles to understand human behaviour and is almost
bemused the profanity of the 20th century.
PERFORMANCES AND NOTABLE SCENES (Warning: this section may contain spoilers!)
So onto the performances and they are all pretty good here as the regular Star Trek crew are all in good fettle.
And to start off with the cast, William Shatner is
great again as Kirk, and he has quite a few highlights in the film with
one of my favourites being when they walk the streets of San Francisco
in 1986 and he is nearly hit by a taxi driver who yells "Watch where
you're goin' ya dumbass!" and Kirk replies "Well a double dumbass on
you!".
Then there is the scene where Kirk and Spock go into a pawn shop and
Kirk sells
his glasses to the owner. And in the scene Spock asks Kirk "Weren't
they a present from Dr McCoy?" and Kirk replies "And they will be again,
that's the beauty of it". So, Kirk asks the store owner "How much will you give me for them?" and the owner says "Well, they would be worth more if the lenses were in tact but I will give you 100 dollars" and Kirk who has no concept of the value of money simply asks "Is
that
alot?" and the owner smiles and shrugs.
Another good moment comes where Kirk and Spock start to walk the streets
of San Francisco alone as the other crew members have split up. And
Kirk asks Spock how they should try and resolve their problem to find
the humpback whales and Spock says "Simple logic should suffice..." and
he goes into a long diatribe about looking at a mpa but then Kirk sees a
bus pull up near by, which has a picture of two whales on it
advertising a whale institute. And Kirk interrupts Spock and says to
him "I think we'll find what we're looking for at the Cetacean
Institute in Sausalito. A pair of humpbacks named George and Gracie".
And Spock says to Kirk "How do you know this?" and Kirk says "Simple
logic!" and they step on the bus but a second later step off it and
Spock asks "What does it mean exact change?".
Another good scene is when Kirk beams back onboard the Klingon vessel and he is frustrated at the immediate nature of how they need the whales and the danger of missing their chance to get them. And Kirk says to Spock "Damn it! Two perfect whales and if we don't move soon we might miss them!" and Spock says "Then in that probability our mission would fail". And Kirk looks incredulously at Spock and says "Our mission? Spock, you're talking about the end of every life on Earth! You're half human! Haven't you got any goddamn feelings about THAT?!" leaving Spock to quietly ponder Kirk's words.
And then there is the scene where Gillian arrives outside the Klingon vessel shouting for Kirk's help as the two humpbacks have been let out of the institute into the ocean and Kirk beams Gillian onboard the vessel. And Gillian yells out in panic as she is beamed onboard and Kirk takes her by the hand and says "Hello, Alice, welcome to Wonderland!". And Gillian tells Kirk that the whales are gone but they can tag them and Kirk says "We're not going anywhere" and Gillian asks "What sort of spaceship is this?" and Kirk tells her "Its a spaceship with a missing man".
And lastly there is the scene (SPOILER!!!) back in the 23rd century where Kirk and the others have saved the day and Kirk says his goodbyes to Gillian. And as she is about to go Kirk asks her "This is goodbye?" and Gillian asks "Why does it have to be goodbye?" and Kirk says "Well like they say in your century, I don't even have your telephone number!".
Leonard Nimoy also provides quite a few of the film's highlights as Spock, with his character being so logical that he fails to understand human behaviour.
One of Nimoy's most memorable scenes in the film of course comes when he performs his Vulcan neck pinch on a ill mannered punk rocker on the bus, who refuses to turn down his music, and he renders him unconscious where the passengers all applaud Spock loudly.
Nimoy also get's some funny lines of dialogue where he struggles to come to grips with how to use human profanity such as when Gillian Taylor asks him after he performs his mind meld with the whales "What the hell are you doing here??" and he replies "Attempting the hell to communicate!". And this one is followed up by Gillian angrily saying "You were messing up my tank and my whales!" and Spock replies "They like you very much but they are not the hell your whales" Gillian says "Oh and they told you that did they??" and Spock says "The hell they did!".
Also the moment where Gillian asks Kirk and Spock if they both like Italian food, and Spock keeps saying no with Kirk interrupting saying "yes, I love Italian and so do you" to Spock, who flatly replies "yes". And then shortly after, Gillian drops Spock off in the spot where the Klingon vessel is parked and she says "Are you sure you won't change your mind?" re: dinner, and Spock replies "Is there something wrong with the one I have???". And then Gillian, baffled by Spock asks him "Wait a minute. How did you know Gracie is pregnant? No one knows that!" and Spock says to her "Gracie does. I'll be right here" and he gets out and as Gillian drives off, Spock is beamed up.
And later on Spock rather amusingly get's the hang of the profanity towards the end of the film when Kirk asks him "Spock, where the hell is that power you promised??" and Spock replies "One damn minute, Admiral!".
And lastly there is the scene onboard the Klingon vessel where Kirk and the crew have beamed up the whales but Spock needs to make his calculations for them to successfully time travel foward to their own time.
And McCoy asks Spock about it and Spock replies regarding his calculations "In order to return us to the exact moment at which we left the twenty-third century, I have used our journey back through time as a reference, calculating the coefficient of elapsed time in relation to the acceleration curve". And McCoy says to Spock "Naturally, so what's your problem?" and Spock replies "Acceleration is no longer a constant" and McCoy says "Well then you're gonna have to take your best shot" and Spock asks "Best shot?" and McCoy explains "Guess, Spock. Your best guess" and Spock shakes his head and replies "Guessing is not in my nature, Doctor" and McCoy smiles and says "Well, nobody's perfect".
Then there is the scene where McCoy and Scotty arrive at a plastics factory, Plexicorp, where they talk with the plant manager, Dr Nichols (Alex Henteloff) and Scotty get's a bit carried away with pretending that he is a professor and that McCoy is his assistant. And as Scotty says to Nichols "Do you mind if my assistant joins us?" to which Nichols doesn't object and as they are driven away on a forklift, McCoy quietly says to Scotty "Don't bury yourself in the part".
And of course later there is the scene at the hospital where Kirk, McCoy and Gillian turn up to rescue Chekov which is great fun. And in the scene, they take a stretcher and Gillian lies down as a patient and they enter a lift where two young doctors discuss chemotherapy and McCoy mutters in disbelief at how primitive it sounds to him saying "Unbelievable!". And one of the young doctors asks him "Do you have a different view, doctor?" and McCoy grumpily says "It sounds like some sort of goddamn Spanish inquisition!" and they exit the lift with Kirk explaining to them that McCoy is having a "Bad day!".
The rest of the regular also fine, starting with James Doohan, who get's a chance to shine as Scotty in the scene where he approaches the planet manager, Dr Nichols at Plexicorp and gives him the formula for transparent aluminium.
But as Scotty tries to process the formula he tries to speak to the owner's computer, like he would an advanced computer in the 23rd century, and McCoy gives him the mouse to speak into like a mic and Scotty says "Hello computer!", after this Nichols warily says "Just use the keyboard" and Scotty replies "Keyboard, how quaint!". And as Scotty quickly taps away at the keyboard he completes the formula, leaving Nichols dumbfounded and to say "Transparent aluminum??" and Scotty says to him "That's the ticket, laddie! So is that worth something to you, or should I just punch up clear??".
And later there is the scene where Scotty manages to beam up the whales onboard the Klingon vessel's whale tank and before he does it he tells Kirk over the com "I've never beamed up four hundred tonnes before" and Kirk says "Four hundred tonnes?" and Scotty tells him "Its not just the whales, its the water!". And as the whales are beamed in, Scotty looks on amazed and says over the com to Kirk "Admiral, there be whales here!".
And lastly the remaining regular crew, George Takei, Michelle Nichols and Walter Koenig are all in good form here in their respective roles of Sulu, Uhura and Chekov.
And to start with Takei, he has one or two fun moments, firstly the scene where Sulu flies the chopper carrying the parts of the plastic whale tank and he accidentally turns on the windscreen wipers of the chopper, which alarms him and he quickly switches them off. Then later there is the scene where Sulu back on the Klingon vessel get's ready to take off and Kirk asks him if he is ready and Sulu says "I'm trying to remember how this works. I got use to a Huey!".
Michelle next doesn't actually have any real standout moments in the film as she mainly just does her comms stuff and helps Chekov try and get the energy they need to re-energise the Klingon vessel's crystals. Perhaps Michelle's most memorable line is when Uhura beams back onboard the Klingon vessel, leaving Chekov behind to be captured as Scotty was unable to bring them in both at the time and Uhura regretfully says to Kirk onboard the vessel "Admiral, I should never have left him" and Kirk reassures her that she did what was necessary.
And lastly there is the scene where Chekov (SPOILER!!) is saved by McCoy who brings Chekov out of his coma in hospital. And Kirk says to him "Pavel, talk to me. Name! Rank!" and Chekov slowly comes around and says "Chekov...Pavel....rank...admiral!".
Mark Lenard who reprises his role as Sarek, Spock's father also does a fine job and this time his character takes on the role as an ambassador for Vulcan who plays his part in aiding the federation president in the crisis involving the probe. And by this time after the events of Star Trek III where Kirk saves Spock he has a new found respect for Kirk and his crew.
And Lenard has some good moments that include his first scene where he arrives during a federation council chamber meeting where the Klingon ambassador speaks out against Kirk's actions against the Klingon crew that were killed onboard the Enterprise when it was destroyed (in Star Trek III).
And in the scene the Klingon ambassador says "We demand the extradition of Kirk! We demand justice!" and Sarek arrives saying "Klingon justice is a unique point of view, Mr President. Mister President. ...Genesis was perfectly named. The creation of life not death. The Klingons shed the first blood while attempting to possess its secrets". And the Klingon ambassador angrily says to Sarek "Vulcans are well known as the intellectual PUPPETS of this federation!" and Sarek reminds the Klingon ambassador "Your vessel did destroy U.S.S. Grissom. Your men did kill Kirk's son. Do you deny these events?". And the Klingon ambassador arrogantly says "We deny nothing. We have the right to preserve our race!" and Sarek says to him "You have the right to commit murder??".
And last of all is Catherine Hicks as Gillian Taylor who does a fine job as the hotheaded but compassionate whale institute doctor, who tries to protect the whales in her care.
And last of all is the scene when Gillian discovers that the whales have been released from the institute without her being told and she angrily confronts Bob, her associate at the institute. And Bob says to her "They left last night. We didn't want a mob scene with the press. It wouldn't have been good for them. Besides ...we thought it would be easier on you this way". And Gillian, furious, says to Bob "You sent them away without even letting me say goodbye???!! You son of a bitch!!" and she slaps his face and storms off.
Finally getting onto the director, Leonard Nimoy reprises his role at the directorial helm and he does an excellent job here again as he gives the film a more lighthearted than previously in Star Trek III. Nimoy also was under certain constraints during the product of ST III so this time the studio gave him more creative freedom on Star Trek IV and Nimoy decided to go with the concept of a time travel story.
Nimoy also does well at giving the story a contemporary modern feel as
it is largely based in the 20th century and it captures a bit more of
the gritty reality where there is a bit more wariness and cynicism of
its 20the century characters and also more profanity to the dialogue
(albeit mild profanity as it is a PG rated film). In fact its safe to
say that Star Trek IV is probably the most profane of all the Star Trek
films largely due to its 20th century setting.
Anyway Nimoy again does a fine job overall both in front and behind the
camera in ST IV: TVH and in a way it was a pity he didn't return to
direct anymore especially after the disappointment of Star Trek V.
MUSIC
As for the music score by Leonard Rosenman, well I have to say
its not really one of my favourite scores for the Star Trek series as it
just doesn't quite fit the tone for an ST film as it just has a bit too
much of a jaunty, leisurely feel to it and lacks any real kind of
impact and drama. Rosenman, who was a good friend of Leonard Nimoy,
however was brought in after James Horner, who composed the previous two
films, declined to return. Regardless of all that though Rosenman's
score still received an Academy award nomination although if you ask me
its not that special a score although it is decent, its not that memorable.
And lastly in regards to the music there is one other song that features
in the movie and that is "I hate you" which was written by the actor, Kirk Thatcher,
who plays the punk on the bus and blasts out his stereo loudly and
refuses to turn it down for Kirk, which leads into Spock knocking him
out with his neck pinch. The song itself is pretty cheesy but it is fit
for purpose given that it was recorded in the hallway outside the
recording studio to give it a rawer sound and it works pretty well.
FLAWS
So
as for the film's flaws....yeah OK there are some.
And to start off you could argue the lack of a villain in the film, does
take
away some of the excitement factor of the story and this is where the
film has to rely more on its humour to keep it fun and interesting.
Then there is the
whole idea of time travel via a slingshot around the sun seems in
in itself to be a daft one although of course it was achieved in the
original TV series episode "Tomorrow is yesterday" to which McCoy makes a
brief reference to. However for myself I think the concept of going
into time warp and
building up enough energy to do so in itself would have been more
sufficient here than bringing the sun into it in my opinion, as I think
they just used it as a dangerous obstacle they had to pass just for the
sake of needing one!
And another bugbear I have with this film, along with Star Trek III is
the footage of Kirk's report on the Genesis project, which originally
featured Dr Carol Marcus in Star Trek II but they just decided to
re-record it with Kirk instead but ultimately its with no real good
reason in itself. I mean Kirk didn't design the Genesis torpedo himself
but it is presented in such a way that he was directly involved in it
when he wasn't, so why didn't they just show the footage of Dr Marcus
instead????
I also found the idea of the probe itself was a bit stupid in some ways
as Spock says himself at one point how the probe has great power and
intelligence and how it is evidently unaware its transmissions are
destructive. Now if the probe is so intelligent why doesn't it release
that its transmissions are destructive in the first place?! In that
regard the probe isn't that smart after all as its just blindly
transmitting its signals without any consideration for anything around
it! So this really runs a bit contrary to Spock's theory.
Its also worth noting (well on a picky note!) that Leonard Nimoy as the
director, has a bit of a penchant for using badges and stickers in the
film such as the sticker on Gillian's truck that says "I Love Whales"
which is just a bit too cheesy for my liking. And to back this up Nimoy
then decide's to have Dr Nichols at Plexicorp wear a badge that says "I
quit smoking" which is again pretty daft. I mean is it really
necessary than we need to know either of these things??? Especially as
we already know Gillian loves whales and her job and we don't need it
spelt out for us on a sticker!
There are also one or two puzzling moments in the film that don't make sense, such as how was Spock able to be beamed up onboard the Klingon vessel after Gillian drops him off because I thought everyone was out on their respective duties. However, it is possible that maybe Scotty had returned to the ship but if not then its a bit of a plot hole that is never resolved.
I also thought it was a bit strange that Gillian decides to leave behind her 20the century life altogether as she says she has got "no one here". What really?! Not ONE single family member that you would miss or friends that you hate to never see again?! I guess Gillian is a rather detached person when it comes to people and doesn't believe in making friends or relationships but it is somewhat convenient that she decides to ditch her current life to help with the whales.
Also at the end of the film the charges against
the crew are dismissed and Kirk is reduced in rank to Captain
and given the command of a starship, but that in itself isn't really a
punishment its more what he would have wanted. And if they did want to really punish Kirk then surely they should have
put him in the brig or something for a few months rather than giving him what he would want most!
Anyway that's for the flaws...I think!
SUM UP
Right so to finally sum up, Star Trek IV: The Voyage Home still is one
of the most enjoyable entries in the franchise and its lighthearted
tone and humour and nice performances from the cast make it work well. And
yeah OK it does have some plot niggles here and there and its lack of a
proper villain also means the film has to work a bit harder than some
of the others to find other ways to keep itself interesting and it
relies more on its humour to do so.
But if you are willing to forget the film's problems then Star Trek IV
is still a very entertaining film to watch and it remains one of the
most solid entries in the series.
So, I will give Star Trek IV: The Voyage Home...
8.5 out of 10
And that's it for now and I will return with my look at Star Trek V, which I will also be re-watching and I did a post on it ages ago, so its ready for another update.
So, until then its bye for now!
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