Well... its time yet again for another revisitation of a previous post from this blog and this one is a revisit of a revisit of my original review on the crime epic drama, Goodfellas. Having recently watched the History Buffs Youtube channel, which covered just how historically accurate the film was, I decided to give this film another look.
So after almost 30 years, how does Goodfellas stack up today? (and by that I don't mean the character, Stacks from the film!)
Well, let's dive in and take yet another look...
And yep the usual is coming up...
PLOT SPOILERS ARE AHEAD!!!
STORY
The film itself starts in 1955 with Henry as a teenager (played by Christopher Serrone) who lives in East Brooklyn ad he longs to become one of the "wiseguys" and chooses to work for them at the local cabstand. However Henry's father soon finds out he has not been at school and beats him, as he doesn't want his son to have anything to do with the mob. However the mobsters manage to put a stop to this by threatening the local mailman by putting his "fuckin head in the oven first!" if he delivers another letter to Henry's house.
After this Henry works full time under the wing of the boss Paulie Cicero (Paul Sorvino) and he also meets his two associates the smooth talking but lethal Jimmy "The Gent" Conway (Robert De Niro) and the psychotic loose canon Tommy DeVito (Joe Pesci). After being pinched by the cops for selling cigarettes off the back off a truck, Henry is taken to court, but tells them nothing, and is eventually let go where Jimmy tells him "Never rat on your friends and always keep your mouth shut".
As the film moves into the 1960s, Henry now in his 20s (as is Tommy) are making a solid living stealing cargo from the local airports, and they also pull off the Air France robbery, which sees Henry move up the ranks. By this time Henry also meets his soon to be wife Karen (Lorraine Bracco) a Jewish girl from the Five Towns in New York, initially they dont get on well, and Henry stood her up on their second date, but after Karen confronts him about it, Henry makes it up to her. After this Henry charms Karen with the glamourous side of his life, as he takes her out on expensive dates for meals and drinks. Henry also at one point defends her, by brutally beating up an abusive neighbour of Karen's, and despite her initial shock toward the incident, she admits that it turned her on, and soon after they marry.
The story then moves to the 1970s, where things start to get more heavy as Henry and Jimmy host a party for Billy Batts (Frankie Vincent) who is a made man with the Gambino crime family. During the party, Tommy arrives with his date, where Billy first off warmly greets Tommy but then proceeds to wind him up about his past when he was just a boy who shined shoes, which enrages Tommy who leaves. Later on Tommy comes back and with Jimmy they both brutally beat up Billy, and later stab and shoot him dead, and soon after bury his body out in the woods.
With Batts being a made guy, this causes a serious problem for the three of them as Batts was murdered without consent. And during this period Tommy's psychosis continues as he teases and later kills a young hood Spider (Michael Imperioli) after Spider talked back to him for winding him up. Round about this time Henry also starts an affair with a girl Janice Rossi (Gina Mastrogiacomo), but Karen soon finds out about it and rows furiously with Henry.
Soon after, Paulie expresses his concerns about Karen, but insists he can put things to rights, and in the meantime Henry go off with Jimmy on business down to Florida. However on beating up a bookie, things soon go awry as the bookie's sister is revealed to be a typist for the FBI, who gives them up, and Henry, Jimmy and Paulie serve a prison sentence.
After Henry is released, he gets involved in drug deals (behind Paulie's back who warned Henry not to get invovled) and he also comes across a very appealing business proposal from his friend and local mobster Morrie Kessler (Chuck Law). This turns out to be the legendary Lufthansa heist at JFK airport, where Jimmy and a small crew pull off a robbery where they steal over 6 million dollars.
However as a result of the robbery, the crew all buy expensive things with their cut of the money, which infuriates Jimmy who expressly told them not to buy anything as it would attract unwanted attention. Soon after Jimmy has the participants of the heist murdered by Tommy in order to cut any link between himself and the robbery, this includes Morrie, Henry's close friend.
Once the dust has cleared from the heist, Tommy receives the good news that he is set to be "made" and ingratiated into the crime family as a proper member. But it soon turns out to be a setup as Tommy is taken into a room by Tuddie (Paulie's brother) and is shot dead, as a revenge for killing Billy Batts and various other things.
And from here the story moves into the 1980s were we start to see the downfall of Henry, who has become a drug addled mess and as he plans out a big drug deal he is arrested by the police and this later puts himself and his family in danger and he must find a way to try and keep himself alive from his mob associates as he faces having to go into witness protection.
THOUGHTS
Right from the start you just know that Goodfellas is a classic film, that certainly isn't far off the level of The Godfather. The first scene which definitely ranks as one of the most violent opening scenes in American cinema where Tommy and Jimmy finish off Batts, really grabs you by the throat and pulls you into the film straight off.
The characters in Goodfellas are certainly very vividly drawn and Henry Hill himself is far from an angel, but he does appear to be a man who is out of his depth in this world. He is surrounded by vicious thieves and murderers and while he is a thief himself, he isn't depicted as a murderer, and as Hill in real life himself said, he lived in constant fear 24 hours a day, fearing that he might be killed himself at any moment.
Hill's narration in the film is also really contrary with the events that occur in the film where he says he loved the life, and the thrill he got from it, but you also see Henry's utter shock and fear at his associates behaviour. This is probably best displayed in the scene after Tommy and Jimmy brutally bludgeon Billy Batts and stick him the boot of their car, they then go and have dinner at Tommy's mother's house, and Henry sits silently, while Tommy and Jimmy laugh and joke, despite what they have just done.
But at the end of the film even though he is living in the witness protection program, he still has the nerve to complain about how boring and inconvenient has life has become since leaving his life of crime behind. Hill since that time went on and suffered a few more behavioural lapses as he was arrested on several occassions for drug possession. Hill since then died in 2012 of a heart attack.
PERFORMANCES AND NOTABLE SCENES (Warning: this section contains spoilers and strong language!)
Performance wise there is precious little to fault here as the cast are all really strong and on top form.
Ray Liotta is great as Henry Hill, as he starts off as a suave well dressed gangster, but ends up a total mess, burnt out on cocaine. Liotta perfectly grasps the (fancy word here) Hill's ambivalent emotions about the life, as one minute he loves the thrill of stealing, but the next he fears for his life.
Ray has many highlights in the film such as the scene where Henry storms over and viciously pistol whips Karen's next door neighbour who tried to rape her and he says to him after "I swear on my fuckin mother, you touch her again and you're DEAD!". Then he calmly goes over and checks on Karen and gives his blood stained gun to her to hide, which despite her shock, she does.
Then there is the scene where Karen holds Henry at gunpoint on their bed and Henry calmly persuades to lower the gun and she does, then Henry slaps her and takes the gun off her saying "Are you fucking crazy, Karen?! I got enough to worry about being fuckin whacked on the streets! I got enough to worry about then I gotta come home, FOR THIS?! I SHOULD FUCKING KILL YOU!".
Ray also delivers the film's narration wonderfully as well as throughout he is given some great dialogue such as the opening scene where Henry stands in shock while Tommy and Jimmy finish off Batts and Henry narrates "as far back as I can remember I always wanted to be a gangster".
Some of Henry's other good lines include the scene where Henry narrates while Paulie has agreed to be a business partner to one of Henry's business associates and Henry says "But now the guy's gotta come up with Paulie's money. Business bad? Fuck you, pay me. Oh, you had a fire? Fuck you, pay me. Place got hit by lightning, huh? Fuck you, pay me!".
Another scene is where Henry narrates during the scene where the young Henry smashes the windscreens of some taxis and sets them on fire and runs away from the scene as the cars explode. And Henry narrates "One day some of the kids from the neighbourhood carried my mother's groceries all the way home. You know why? It was out of respect".
WARING: BIG SPOILER IN THE NEXT TWO PARAGRAPHS!
Then there is the narration scene where Henry narrates just after Tommy and Jimmy kill Billy Batts and they drive off and bury the body. So, Henry narrates "For most of the guys, killings were accepted. Murder was the only way everybody stayed in line. You got out of line, you got whacked. Everybody knew the rules.Sometimes, even if people didn't get out of line, they got whacked. Hits became a habit. Guys would argue over nothing. Before you knew it, one was dead. They were shooting each other all the time. Shooting people was a normal thing. It was no big deal".
Henry however continues his narration and sounds concerned as he talks abouts Batts "We had a serious problem with Billy Batts. This was really a touchy thing. Tommy killed a made guy. Batts was part of the Gambino crew and was considered untouchable. Before you touched a made guy,
you needed a good reason. You had to get a sit down and an okay...or you'd be the one that got whacked!".
Then another really good line (and scene) from Ray is when he is busted by the narcs as he is about to leave his house and Henry narrates "For a second I thought I was dead. But when I heard all the noise, I knew they were cops. Only cops talk that way. If they were wiseguys. I wouldn't have heard a thing. I would have been dead."
And then there is the final scene (SPOILER) where we see Henry stand just at the doorway of his suburban house after he has been relocated into witness protection. And in the scene Henry narrates and complains "And that's the hardest part. Today everything is different; there's no action... have to wait around like everyone else. Can't even get decent food - right after I got here, I ordered some spaghetti with marinara sauce, and I got egg noodles and ketchup. I'm an average nobody. I get to live the rest of my life like a schnook!".
Robert De Niro is also really good as Jimmy "The Gent" Conway (in reality his character was based on Mafia associate, Jimmy "The Gent" Burke) he plays him with just the right amount of charm and menace.
De Niro naturally has some great moments in the film as well such as the scene where Jimmy talks to the young teenage Henry after he was first arrested and released.
So, Jimmy says to Henry "Congratulations. Here's your graduation present" and Henry asks "What for? I got pinched!" and Jimmy says "Everyone get's pinched but you did it right. You told them nothing and they got nothing". Henry then says "I thought you would be mad at me" but Jimmy says "I'm not mad at you, I'm proud of you! You took your first pinch like a man, and learned the two most valuable lessons in life. Never rat on your friends and always keep your mouth shut".
Then there is the scene where the young bartender, Spider talks back at Tommy, which stuns Jimmy, Tommy and the others during a card game. And Jimmy "I didn't fucking hear right! He's gotta lot of fuckin balls this kid!" and he puts down a dollar bill and says "This is for you. Good for you, don't take shit off nobody! He's got alot of fuckin balls this kid!" and Jimmy teases a seething Tommy by saying to him "Are you gonna let this fucking punk get away with that?! What's the matter with you? What's the world coming to?!" and out of the blue Tommy takes out his gun and shoots Spider in the chest six times, who reels back and collapses on the floor dead.
So, Jimmy furiously asks Tommy "What is the matter with you?! What is the fuckin matter with you?! Are you stupid or what?! Tommy, I was kidding with you! Are you sick maniac?!". Tommy who is totally unfazed by the murder and asks Jimmy "How do I know your kidding? Are you breaking my balls?!" and Jimmy shouts back "I'm fucking kidding with you and fucking shoot the guy???!". Henry having gone over and checked Spider's body tells them "He's dead" and Tommy heartlessly says "A good shot. What do you want from me? A good shot!". Jimmy then furiously slams down his gambling money and angrily says to Tommy "You stupid bastard! I cannot fucking believe you! Now YOU'RE gonna dig the hole! I got no fucking lime!". Tommy however get's up and says "Who the fuck cares?! I'll dig the hole! I don't give a fuck!" and he crosses the room and asks "Where are the shovels?".
Another great scene is when Jimmy tells off one of his crew, Johnny Roastbeef from the Lufthansa heist not to buy anything too extravagant to avoid attracting unwanted attention but Johnny buys a fancy new car. And in the scene he says to Johnny "What did I tell you?! What did I tell you?! You don't buy anything!" and as Johnny apologises and walks away Jimmy looks on in disgust saying "Fat fuck! He oughtta wear a sign!".
WARNING: ANOTHER SPOILER COMING UP IN THE NEXT PARAGRAPH!
And last of all is the scene where Jimmy tries to get Tommy on the phone to find if his "made" ceremony went OK but soon discovers the bad news that Tommy was killed.
So, in the scene Jimmy speaks to another mobster, Vinnie and asks him "What happened? Did we get it straightend out?" and Vinnie tells Jimmy "We had a problem and we tried everything we could and could do nothing about it". Jimmy sounding puzzled asks "What do you mean? What do you mean?" and Vinnie tells him "You know what I mean. He's gone!" and Jimmy somewhat stunned asks "What do you mean?" and Vinnie repeats "He's gone, man! He's gone!". So, Jimmy overcome with anger and frustration slams the phone booth receiver down and he tearfully says to himself "I can't believe it! I can't fucking believe it!" and he sobs as he leaves the booth. At this point Henry joins Jimmy asks him "What happened?" and Jimmy tells him "They whacked him! They fuckin whacked him!" and Henry shocked says "Oh, fuck!".
Paul Sorvino is also excellent as Paulie Cicero, and he admitted in a later interview that it was a part that he initially found really difficult to capture, until he saw a look he gave himself one day in a mirror which apparently scared the hell out of him!
Sorvino has some good moments in the film such as the scene where Paulie warns Henry not to get involved in drugs and he says to him to "Stay away from the garbage" and as Henry tries to reassure Paulie, he interrupts him saying "Don't make a jerk out of me! Just don't do it!". And Paulie continues by saying how he doesn't want to end up like one of his business associates "I ain't gonna get fucked like Gribbs. Gribbs is 70 years old and the fucking guy is gonna die in prison. Ain't gonna happen to me! So I'm warning every everybody, it could be my son, anbody! Gribbs got 20 years for just saying hello to some fuck sneaking behind his back, selling junk, I don't need that. Ain't gonna happen to me! And if you see anybody fucking around with this shit you're gonna tell me right?" and as Henry casually says yes, he slaps Henry "That means anybody!".
Another good scene is where Paulie meets with Henry after Karen goes nuts at Henry when she finds out that he has a mistress, so Paulie tries to persuade Henry to get back together with Karen.
So, Paulie has Henry sit down and says to him "Karen came to the house. She's very upset. You got to straighten this out. We got to have calm now. We don't know what she'll do. She's hysterical. Very excited. She's wild. And you got to take it easy. You got children. I'm not saying to go back to her right now, but you got to go back". Paulie then reassures Henry "I'll talk to Karen. I'll straighten this out. I know just what to say to her. I'll say you'll go back to her and it'll be like when you first got married. You'll romance her. It'll be beautiful. I know how to talk to her. Jimmy and Tommy were going to Tampa this weekend to pick up something for me. Instead, you go with Jimmy". So, Paulie then tells Henry "When you come back, you'll go back to Karen. Please, there's no other way. No divorce. We're not animali!".
And lastly there is the scene where Henry visits Paulie at a bar where Paulie cooks sausages and Henry pleads with Paulie to help him after his drug bust. So, Henry tearfully "Paulie, I'm really sorry. I don't know what else to say. I know I fucked up" and Paulie angrily says "Fucked up? Yeah you fucked up!". Henry then pleads with Paulie "But I'm alright now. I'm clean. I swear on my kids now, I am clean" and Paulie angrily says "You looked in my eyes and lied to me. You treated me like a fucking jerk. Like I was never nothing to you!". So, after Henry tells Paulie he has nowhere else to go and needs his help, Paulie gives Henry a small bundle of notes and says "Take this. Now I've gotta turn my back on you" and Henry tearfully says "OK" and leaves.
Lorraine Bracco is terrific as Karen Hill, and she is a far cry from the quiet wives off The Godfather as such as Kay and Connie. Karen is far more fesity and has the guts to stand up to Henry and confront him about his infidelities, and she also remains strong when Henry serves his time in prison.
Lorraine also has some great moments in the film such as the scene where Henry stood Karen up for their 2nd date and she makes Tommy drive her to confront Henry and she says "You got some nerve standing me up! Who do you think you are? Frankie Valli or some kind of big shot?!". But then Henry tries to make it up to her and talks her around to another date and Lorraine smiles and says "Its gonna cost you, Hill, its gonna cost you alot!".
Then there is the scene where Karen confronts Henry over his sneaking about as she suspects he is two-timing her and she says "I know there is something goin on! I look in your face and I know that you're lying!". And as Henry throws a table lamp at her she yells back "Go on go to your ready made whores that's all your good for! GET OUT OF MY LIFE! I CAN'T STAND YOU!!!".
And later there is a great scene where Karen pays a visit to Henry's girlfriend's apartment where she tries to talk her on the buzzer outside Janice's flat. And Karen frantically presses all the buttons to try and get into the building and she says "If you don't let me in I'm gonna tell everyone in this building that in 2R, Rossie, you are nothing but a WHORE!". And Karen continues to prove her point by phoning the building superintendent and says "Is this the superintendent?! Yes I want you to know that you have a whore living in 2R, Rossi, Janice Rossi!" and she yells down the phone "He's my husband! GET YOUR OWN GODDAMN MAN!".
And last of all there is perhaps Lorraine's best scene where Karen meets with Jimmy near the end of the film and he tells her that he has some dresses for her to look at down an alleyway. And Karen nervously walks down the alley seeing some workers but she changes her mind and drives away and later get's out the car sobbing as Henry comforts her and she tearfully tells Henry "I just got scared!".
Lorraine also delivers some of the film's narration as well and she too get's some good dialogue as well such as in the scene where Henry has just viciously beaten Karen's next door neighbour with his gun and he gives it to her to hide. And Karen admits in her narration "I know there are women, like my best friends, who would have gotten out there the minute their boyfriend gave them a gun to hide. But I didn't. I got to admit the truth. It turned me on."
And now we get to Joe Pesci who delivers the film's best performance as the hot headed and psychopathic crook, Tommy and he manages to be both funny and chilling all at once and he sets up the tone for his volatile character in the film's violent opening scene with Tommy viciously finishing off Batts with a knife. Pesci would go on to win the Academy award for best supporting actor for his performance in the film.
Pesci has numerous highlights in the film starting with the famous scene where Tommy holds court making everybody laugh while he is at a club. And Henry laughs and laughs and says "You're really funny" but all of a sudden Tommy's attitude changes and he asks "What do you mean? How I talk?" and Henry says "No, just how you tell the story and everything, You're funny.". And Tommy becomes more serious and says "Funny how? Am I like a clown? Do I amuse you? Do I make you laugh? Do I fuckin amuse you? Tell me what's funny?!". And Henry nervously tries to reason again and Tommy becomes more intense and says "No, YOU said I was funny. Tell me what the FUCK is so funny about me?! Tell me! Tell me what's funny?!". But then Henry soon twigs that Tommy is kidding him on and the table all relax and laugh and Tommy laughs saying "I sometimes wonder about you, Henry. You may fold under questioning!".
Then there is the scene where Tommy arrives during the party held for Billy Batts (played great by Frankie Vincent) and the two of them get into a rather tense exchange as Batts says to him "If I was gonna break your balls I would tell ya to go home and get your shinebox!". And as the two men appear to back down and drink up, Batts says "Now go home and get your fuckin shinebox!" which causes Tommy to explode "MOTHERFUCKIN MUTT! YOU FUCKIN PIECE OF SHIT! You bought your button, you big fake tough guy!" and he shouts to Jimmy "Keep that motherfucker here! Keep him here!!". And later on Tommy comes back and beats the shit out of Batts along with Jimmy, and afterward as Tommy and Jimmy wrap up Batts's body in table cloths, Tommy covered in blood says to a shocked Henry "I didn't want to get blood on your floor!".
Another great scene is where Tommy berates Spider for not getting him a drink and he says "What am I mirage? I just asked you for a fuckin drink!". And Spider who has a stutter get's Tommy's back up and Tommy yells at him "Go get me a fuckin drink! Move it ya little prick! You walk like fuckin Step n Fetchit! Dance! Dance the fuckin drink back here!" and he then produces his gun and shoots it at Spider's feet, catching him in the foot. And in the next scene Tommy starts teasing Spider as we see Spider back tending the bar with a big bandage wrapped around his foot.
And Tommy says to him "That bandage on your foot is as big as your fuckin head! Give us a couple of fuckin steps there, Spider. You fuckin bullshitter you. Tell the truth you are looking sympahty, is that it sweetie?!". And as Spider snaps back "why don't you go fuck yourself, Tommy??" Tommy shortly after kills the young hood, shooting him six times in the chest, and after Henry tells them that Spider is dead, Tommy simply says "Good shot. What do you want from me. I'm a good shot! He was fucking rat anyway. His whole family were rats. He would grow up to be a fuckin rat!". Chilling stuff.
And lastly there is the scene where Tommy walks into Stacks Edwards (played by Samuel L Jackson) apartment who participated in the Lufthtansa heist and he says to Stacks "We we're supposed to be here at 9. Its now 11:30." and he produces a silenced gun and points it to the back of Stacks's head and says "You were always late. You were even late for your own fuckin funeral!" and proceeds to shoot Stacks in the head. And Tommy's associate, Carbone, who was making coffee comes in and looks alarmed and Tommy says "What the fuck are you lookin at?! Come one, make that coffee to go!" and Carbone makes to go back into the kitchen and Tommy says "Its a joke! A joke!" and Carbone nervously fidgets and is about to leave with the coffee pot in his hand Tommy says "What are you gonna do?! Take the fuckin coffee?!".
Frankie Vincent is also excellent in his role as the gangster, Billy Batts, a made man in the Mafia, who Jimmy and Tommy end up killing and getting in hot water over.
Vincent only really has one sequence in the film where he attends a party held Jimmy and Henry but its a pretty good one and it shows that Vincent is more than capable at playing a wiseguy.
And
Vincent's best moments include the one where Batts greets Tommy and he
tells everyone how Tommy used to shine shoes as a teenager. And Batts
says after Tommy tells him not to bust his balls "Hey, Tommy, if I was
gonna break your balls, I'd tell you
to go home and get your shine box!" which prompts laughter and a look of
resentment from Tommy. And Batts tells his friends "Now this kid, this
kid was great. They, they used to call
him Spitshine Tommy. He used to make your shoes look like fuckin
mirrors!".
However
as Batts tries to toast to Tommy, Tommy sharply says to Batts "No more
shines, Billy" and Batts, a little taken aback says "What?" and Tommy
says "I said, no more shines. Maybe you didn't hear about it,
you've been away a long time. They didn't go up there and tell you. I
don't
shine shoes anymore!". And Batts tries to calm Tommy and says "Relax,
will ya? Ya flip right out, what's got into you?
I'm breaking your balls a little bit, that's all. I'm only kidding with
ya..." but Tommy says "Sometimes you don't sound like you're kidding,
you know, there's a lotta people around..". And Batts says "I'm only
kidding with you, we're having a party, I just came home and I
haven't seen you in a long time and I'm breaking your balls, and you're
getting fucking fresh. I'm sorry, I didn't mean to offend you!". And
Tommy who seemingly takes Batts apology says "Ok, I'm sorry too, no
problem" and they drink up but then Batts says to Tommy "Now go home and
get your fuckin shinebox!" which prompts Tommy to go apeshit and
well...we all know what happens from here!
Chuck Low is
very good too as Morrie (who was based on real life associate and friend of Henry's, Martin Krugman) Henry's friend and fellow mobster, who planned
the Lufthansa heist but ends up getting on everyone's nerves,
especially Jimmy.
And
Low's two best scenes are first off the one where we see Morrie has
made a TV commercial for his lines of wigs but Jimmy is angry as he
wants Morrie to pay him what he owes him for the ad to be made. And in
the scene Morrie says to Henry who is also there "Henry, you're a good
kid, I've been good to you, you've been good to me.
But there's something really unreasonable going on here. Jimmy's being
an unconsionable ball-breaker! I never agreed to 3 points on top of the
vig! Am I something special? Some sort of schmuck on wheels?!!".
And
when Henry warns Morrie to just pay Jimmy his money, Morrie says "Hey!
Fuck 'em! Fuck 'em in the ear! What are you talking
about? Fuck 'em in the other ear, that son of a bitch! Did I ever bust
his
balls? Did I? Did I? I could've jumped the dime a million times, and I
wouldn't
have to pay tip!". But then without warning, Jimmy storms behind Morrie
and takes the telephone cable and wraps it around his neck (pulling off
his wig with it!) and he demands Morrie to give him his money.
And
lastly there is the scene when Morrie is finally had enough of Jimmy
not giving him his cut of the heist money and he complains to Henry
about it. And Morrie says "Fuck him! I made him a bundle, that cheap
hi-jacking cigarette mick! I want my money!" but Henry stands back and
says "Ok go ahead tell him!" but Morrie stops ranting. And Henry warns
Morrie "Morrie, you'll get your money but you've just to go stop busting
balls!" and this seems to diffuse the situation as Morrie says
"Henry...." and he sings "Oh Henry, Henry, the pipes are callin...." and
the two of them go off for a drink but at the bar, Jimmy peers intently
at Morrie.
DIRECTOR AND MUSIC
Finally moving onto the director, Martin Scorsese does a superb job here and rarely ever puts a foot wrong and from a technical point of view, the film is just as good as anything Scorses has done, as there are many great visual scenes, such as where Henry escorts Karen through the bowels of a club they are going to in order to skip the queue at the front door is definitely one of the most memorable. And there is the great pull in zoom shot where Henry meets with Jimmy in a diner toward the end where they discuss Henry's case. The film also neatly closes with a shot of Tommy shooting his gun, which was a direct reference to a classic crime film, The Bank Job.
And overall as far as his films goes, this is certainly one of Scrosese's best both technically and as a story-driven film also. Scorsese would of course later return to the Mafia world five years later in Casino and there's no doubt here, as a film-maker this was one of his highlights.
Then there is the film's soundtrack which is terrific as Scorsese provides a perfect choice of song for each scene from the start of the film with Tony Bennett's "Rags to riches" to the film's bittersweet ending with Sid Vicious's version of "My way". Other tracks worthy of mention also include Cream's "Sunshine of my love", "Layla" by Derek and the Dominos, The Harptones "Life is but a dream", Rolling Stones "Gimme Shelter", "Magic Bus" by The Who, "What is life" by George Harrison, "Can't we be sweethearts" by The Cleftones, "He's sure the boy I love" by The Crystals and "Jump into the fire" by Harry Nilsson.
FLAWS (Warning: this section may also contain spoilers!)
As for flaws..... well Goodfellas does a few minor ones, some of which are historical inaccuracies.
However in regards to the film itself the main issue has to be that after Tommy's character is bumped off, the film loses some momentum and energy. And in the last 30 minutes or so, its all about Henry's frantic state of mind as he tries to put his drug deal together, and picking up his brother from hospital and getting him to stir the tomato sauce for their dinner, while at the same he is paranoid about helicopters following him outside.
So it all becomes a bit bogged down with inconsequential details at this point, and all Henry's running around threatens to drag the pace of the film and its momentum down. Although it still does feature the excellent scene where Karen meets with Jimmy and after he tells he has some nice dresses for her in his warehouse, down an alley, she fearfully leaves rather than check it out. And the film's ending to be fair is very appropriate to the reality of what happened given that Hill went into witness protection. So the end of the film does feel like a bit of a comedown but it really was a comedown in reality so it works out well in that respect.
The other issues come from some of the historical inaccuracies or omissions, such as the fact the film neglects to mention anything of the years in Hill's life where he stepped away from the life of crime and joined the army in 1960 and remained until 1965. Although Hill still maintained his contacts with the mob, he distanced himself from the them all the same but it wasn't long before he drawn back to the life of crime. In fact it was suggested that one of the main reasons Hill temporarily severed his ties with the Mafia was due to an FBI investigation into organised crime that publicised 5000 names of associates and members, so Hill didn't want to take any chances.
Then there is the death of Tommy's character in the film, however in reality, Tommy DeSimone, was never found as he disappeared in January 1979 and was legally declared dead in 1990, the year the film came out. But for the sake of the story, I guess that had to depict Tommy's death in some way for an audience rather than just have him disappear but DeSimone's death remains a mystery and he's almost like a gangster version of Jimmy Hoffa!
DeSimone also was never really liked by Henry either in reality as time went on and Tommy in reality at one point even tried to rape Henry's wife after it was said she turned down his advances. So by the time Tommy's death or disappearance came about, Henry in reality was relieved more than anything else. DeSimone was also a tall man at 6ft 2 inches and was a far cry from the diminutive presence of Joe Pesci in the film although Hill has said that Pesci did nail DeSimone's psychopathic personality with his performance.
And last of all and further to my last points about DeSimone in the film Tommy DeVito is portrayed as being roughly the same age as Henry but in acutality, DeSimone was seven years younger than Hill was. So, when we get to 1963 in the film and we see both Ray Liotta and Joe Pesci play the young adult roles of the characters, they both look roughly the same age (well not really as Joe Pesci is 12 years older than Ray Liotta but you get what I mean!). However if it was 1963 then DeSimone would only have been 13 years old at the time where as Hill would have been 20! So, I think its safe to say that the reality of the timeline in the film is somewhat muddled.
Anyway that's it for the flaws.
SUM UP
So to sum up, Goodfellas still remains one of the great modern classics in terms of gangster films and this is a film that explodes the romantic myth of films about the Mafia where the mobster's wifes were nice and quiet and kept in the dark and that it was all respect and honour when it was anything but. Goodfellas pretty much shows the "goodfellas" for what they were: ruthless, brutal and without any honour or code for that matter.
As for the film itself, it features great performances from a top cast, superb direction from Scorsese as well as a great soundtrack with plenty of songs from the period and it remains to this day a film that warrants repeated viewing and one of Scorsese's very best.
Right, so that's it for now and I will be back hopefully before the end of the month with another post if I can make it but if not I will do one at the start of March.
So, till then its bye for now!
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