Friday, 16 January 2026

Casino Review Revisited Part 4 - "Dollars! Always the f***** dollars!"



 

 

 

 

So, its time for the first post of the year, which leads me to wish you all a belated Happy New Year and the post will be yet another revisit of my review of Casino, the acclaimed crime drama directed by Martin Scorsese. So, this will be the usual revisit where I will add in a few extra details to sections but I won't add a vast amount as this review is already pretty big! 

So, after all this time, how does Casino fair after 31 years??? Well, let's find out...  

And the usual warning is coming up...

PLOT SPOILERS ARE AHEAD!!!

STORY

So, the story starts back in the 1970s where Sam "Ace" Rothstein (Robert De Niro) is a sports handicapper who is associated with the mob, is sent to Las Vegas and asked to run the Tangiers casino, which is funded by the Teamsters (the American labour union).  At first Sam refuses but is soon persuaded into doing it by one of the mob's associates and head of the Teamsters union, Andy Stone (Alan King).

Once Sam takes over the casino he uses his expert innovations and experience in book making and gambling to double the casino's profits.  The mob who are running the casino in the background, at the same time are doing a skim on the casino's profits, and the bosses send out Sam's friend and Caporegime Nicky Santoro (Joe Pesci) and his crew to Las Vegas, in order to protect the mob's interests in the casino.

However as things progress Nicky lets himself known in town and around the casinos, and before he knows it, he is banned from the casino or any casino in Las Vegas.  Meanwhile this happens Sam starts seeing a female hustler, Ginger McKenna (Sharon Stone) whom he falls in love with, however Ginger doesn't feel that way about Sam.  Regardless of that, Sam persuades Ginger into marrying him and promises to set her up for live by giving her a joint account where she will have over 2 million dollars to her name.

After they marry, things start to crumble as Ginger still hangs around with her ex-boyfriend and pimp Lester Diamond (James Woods).  On finding this out Sam sends Nicky's men to beat up Lester, which horrifies Ginger who then resents Sam for his actions, and she starts to confide in Nicky, although she isn't aware of his involvement in the incident.

While this is all going on, Sam although he is running the casino, he hasn't officially filed for a licence, and he has been re-naming his job title in order to avoid attracting attention toward this.  But soon after Sam fires one of his employees Don Ward (John Bloom) for incompetence, Don's brother Patt Webb (L.Q. Jones) comes to see Sam about it and asks that he hire Don back, but Sam refuses.  Webb though however is a county commissioner and he soon finds out through the newspapers that Sam has stated he is "the boss" of the Tangiers in Las Vegas, he then asks that an investigation take place to see if Sam has filed for a licence or not.

This leads to further complications as on the day of Sam's trial hearing for presenting his case to petition for a licence, he is denied in the hearing, which leaves Sam outraged.  Sam also soon after deliberately raises as much media attention about his case as possible by going on TV, with a live show from the Tangiers, which has guest stars etc.  The mob realise that this is pissing off friends of theirs in business, send Andy Stone to talk to Sam, who tells him he should quit the job, but Sam insists he can't, but rather he wishes that Nicky would take a break and leave for a while.  On hearing this, Nicky is furious and sets up a meeting out in the desert with Sam, where he confronts him and tells him never to go over his head again.

By this time, Nicky has brought alot of heat on himself with the Las Vegas police force who were once co-operative with the casino officials and mob associates, are now so pissed off they want to nail him for anything they can.  Nicky is also determined to plant his own flag out in Vegas and to go after everything, the skim, the casino, his old bosses back home including Remo Gaggi (Pasquale Cajano) who is the most powerful boss in the crime family.  But Nicky in bringing heat on himself, he allows himself to become sloppy and disorganised, as he and his crew get all hopped up on drink and cocaine.

Sam's relationship with Ginger has also deteriorated really badly as well by then, as by this time she has become an alcoholic.  Ginger also goes to Nicky for help in order to try and get her money that she and Sam placed in the bank, and at this time they begin having an affair behind Sam's back.  Sam however soon finds out, and is horrified as he knows if word of the affair gets back to the mob bosses, they will be all killed, as its bad for business.

And its from here things inevitably go further downhill for the trio as the FBI close in and tighten their grip on the Mafia run casino and everyone else involved....

THOUGHTS ON FILM & CHARACTERS 

The comparisons here in Casino to Martin Scorsese's other crime classic, Goodfellas is undeniable as they both depict the American Mafia during the 1960's and 70's and feature relatively similar types of characters. However Goodfellas at the time of its release received great acclaim but Casino on the other hand was not given the same level of praise on its release and was seen as just another retread of Goodfellas.

But in retrospect I would have to actually say that Casino manages to equal Goodfellas for quality, as its scope is much wider than Goodfellas and it has a more epic feel. Goodfellas might succeed more when it comes to the character studies and showing Henry Hill and his wife Karen as a likeable if flawed couple whereas with Casino, the characters are largely unlikable with Sam Rothstein and Ginger trapped in a toxic relationship. 

As for the background of the film, its highlighted at the start as being based on true events rather than an actual true story although in this case it amounts to the same thing really, the only difference is the characters have been given different names compared to the real life people involved.  

As for the mob its pretty much a well known fact that the mob had ties with the casinos back in those days, but despite being the obvious, as usual Scorsese takes this subject matter and turns it into a gripping and highly entertaining film.  Like he did in Goodfellas, Scorsese heavily uses the narrative in the film here, and he constantly has Sam and Nicky narrate the film, and there is even a short passage with Frank Vincent narrating too (who plays one of Nicky's crime associates, Frank Marino).  And it never hinders the film, in fact it really plays a crucial part in the film and keeps the story flowing nicely.

WARNING: BIG SPOILER IN THE FOLLOWING PARAGRAPH!

And one of the neatest touches in the narrative is the scene where Nicky finally meets his demise in the cornfields at the end and as his crew mate Frank Marino hits him with a baseball bat, Nicky's narration cuts off with an "aghhh!".  It also helps to have Pesci in the film right up until the end as he carries a fair amount of the film's energy, like he did in Goodfellas, so it was great that he is in it throughout.  

Character wise, Casino rarely has any sympathetic characters in it at all, in fact they are all mostly fairly despicable, and Sam himself is such an arrogant obsessive control freak, that its hard to like him.  However Sam is not without his redeeming qualities, as he clearly loved Ginger, and he wanted his marriage to work, and you do feel a bit of sympathy for him when he realises how he could never reach her, and how the weight of managing the casino takes it toll on him. Sam also comes across as a good father to his daughter, Sammie, and this is clearly shown in a couple of scenes.

Ginger is far less likeable, as she too is massively self-absorbed in her own greed and marries Sam merely as a forced convenience so she can eventually get her hands on his money.  And in a way that's probably one of the film's lesser aspects is that Sam and Ginger's relationship is a forced one, and Sam's love is very much unrequited, unlike in Goodfellas where Henry and Karen Hill both loved each other as a couple, despite their differences.

Ironically, the character that is easier to empathise with is the one character you probably shouldn't and this is Nicky, and its probably more because he is a married man with a family, and he has a son, little Nicky, and we see Nicky's humanity come out in certain scenes in the film, particularly where he makes breakfast for his son every morning, no matter what he was up to.

As a bad guy, while he is pretty vicious, and he has his fair share of vicious scenes in Casino, Nicky also displays some shreds of decency, one being where he has one of the rival mob guy's beaten to a pulp, as the guy refuses to talk, Nicky has the man's head stuck in a vise, where he pleads with the man and says "don't make me do this, come on, don't make me be a bad guy".  And that's difference between Tommy in Goodfellas and Nicky in Casino, Tommy is a psychopath with zero conscience or compassion whereas Nicky is a sociopath with a small sense of conscience and empathy. 

PERFORMANCES AND NOTABLE SCENES (Warning: this section contains very strong language and spoilers!) 

OK, so this is a big section ahead!!  

Performance wise, Casino is pretty much top drawer as the cast are all on terrific form. This is going to be tough to narrow down, so I will try and keep the notable scenes to just five per actor max (which is not easy either!!).

Starting with Robert De Niro who gives a great performance as Sam Rothstein, who was in reality based on Franky "Lefty" Rosenthal, who was a sports better for the mob.  De Niro's take on Sam is that he is an arrogant asshole, who bosses around everyone in the film, hires and fires staff at the drop of a hat, and while he is quite controlling of Ginger at times, you do realise he does love her, and that he is driven crazy by her.

And De Niro naturally has his share of great scenes in the film, starting with the one where Sam dishes a strong warning to a couple of cheaters at the casino, who are caught out by him and the security guards.

So, in the scene, one of the cheater's is zapped by a cattle prod and forcefully taken into a basement room where some of the security guards hold down the cheater's hands on the table and another one comes at him with a buzz saw.

And Ace narrates "Turns out this guy and his fuckin pals had been knocking this place dead for years.  It was time to make an example of these pricks, to show them that the party was over".  So, Ace signals for the guard with buzzsaw to turn it off and he approaches the cheater and asks him "I'm just curious. I saw you shuffling your checks with your right hand. Can you do that with both hands?" and the cheater says "No".  Sam then asks "You can't do it with both hands?" and the cheater says "No, sir" and Sam asks him "Can you do it with your left hand?" and the cheater nervously says "Well..I...never tried" and Sam asks "So, you're a righty?" and the cheater says "Y...yeah".  Sam then signals to one of the guards, who repeatedly bangs a large hammer on the cheater's hand, who screams out in agony and Sam then says "Now, you're gonna have to learn with your right hand".

This is then followed by moment where the other cheating winner (who is wearing a fake wig and glasses) is taken to the basement and he sees what they have done to his partner.  So, Sam says to the winner "All right, I'm gonna give you a choice. You can either have the money and the hammer or you can walk out of here. You can't have both. What do you want?" and the winner nervously says "I just wanna get out of here".  Sam then warns him "And don't forget to tell your friends what happens if they fuck up around here. You understand?".  The winner then says "I'm sorry, I made a bad mistake" and Sam angrily says "You're fuckin' right you made a bad mistake! 'Cause if you come back here, if we catch either one of ya, we're gonna break your fuckin' heads and you won't walk out of here! You see that fuckin' saw? We're gonna use it. We don't fuck around in this place. You got it?! Get outta here!" and the winner, relieved says "Thank you".

Another good scene from De Niro is when Sam confronts one of his incompetent members of staff, Don Ward, a real Texan cowboy, who failed to act on three of their slot machines being rigged.

So, in the scene Sam angrily asks Don "Four reels, sevens across on three $15,000 jackpots. Do you have any idea what the odds are?!" and Don says "Shoot, its gotta be in the millions. Maybe more".  Sam then asks "Three fuckin' jackpots in 20 minutes? Why didn't you pull the machines? Why didn't you call me?!" and Don says "Well, it happened so quick...3 guys won, I didn't have a chance" and Sam, growing even more annoyed asks him "You didn't see the scam?!  You didn't see what was going on?!".  Don then says "There's no way to determine that, Sam..." but Sam angrily says "Yes there is!  An infallible way, they WON!" and Don says "Well, its a casino!  People gotta win sometimes!".

Sam, however is growing more and more angry with Don and he says "Ward, you're pissing me off. Now you're insulting my intelligence; what you think I am, a fuckin' idiot? You know goddamn well that someone had to get into those machines and set those fuckin' reels. The probability of one four-reel machine is a million and a half to one; the probability of three machines in a row; it's in the billions! It cannot happen, would not happen, you fuckin' momo! What's the matter with you? Didn't you see you were being set up on the second win?!!".  Don then tells Sam "I really think you're over-reacting..." but Sam has had it with Don and he furiously tells him "Listen, you fuckin' yokel, I've had it with you. I've been carrying your ass in this place ever since I got here! Get your ass and get your things and get out of here!".  Don offended then says "You might regret this, Mr Rothstein.  This is not the way to treat people!" and Sam furiousy says "Listen, if you didn't know you were being scammed you're too fuckin' dumb to keep this job, if you did know, you were in on it. Either way, YOU'RE OUT! Get out!".

Then there is the scene where Sam and Nicky confront each other out in the desert after Nicky has heard of Sam's conversation with Andy Stone as Sam suggested that Nicky take a break and leave town to let him run the casino quietly.

So, in the scene, Nicky storms up to Sam and angrily asks him "Where the fuck do you get off talking to people about me behind my back, going over my head?!" and Sam asks "What people?" and Nicky says "What, you think I wasn't gonna find out?" and Sam says "I don't know what you're talking about, Nick".  And Nicky angrily says how Sam said he was bringing heat down on him and he feels he is trying order him out of town but Sam tries to reason with him and says "I didn't do anything, I mean, I didn't order you or anybody. I only told Andy Stone that you had a lot of heat on you and that was a problem".  Nicky then furiously asks Sam "You want me to get out of my own fuckin town?!" and Sam tells him "Yeah I said l-let the bullshit blow over for a while, so I can run the casino. Anything goes wrong with the casino it's my ass, it's not yours, it's my ass!".  

Nicky then furiously tells Sam that he is what counts out in Vegas not Sam's clubs or TV shows and he angrily asks what the hell is doing on TV anyway.  So, Sam says "I'm only on TV because I got to be able to hang around the casino. You understand that, you know that, come on".  Nicky however furiously refutes this and says "You WANTED to go on TV!" and Sam says "Yeah I did want to go on TV. That way I have a forum, I can fight back. I'm known. People see me. They know they can't fuck around with me like they could if I was an unknown, that's right, yeah!".  And as Nicky says "You're making a big fucking sceptical of yourself!" Sam says "Me? I wouldn't even be in this situation if it wasn't for you! You brought down so much fuckin heat on me, I mean every time I meet somebody the big question is "do I know you?!!".  Nicky angrily then tells Sam that he only exists out in Vegas because of him and if it wasn't from him any old wise guy would "take a piece of your Jew ass!" and he warns him never to go over his head again and storms off and drives away, leaving Sam alone.

Then there is the scene where Sam confronts Ginger when he catches her late at night on the phone to someone where in a hushed voice she says to the other person she's had it with Sam and wants him killed.  So, Sam on hearing stands behind Ginger and asks her "You wanna get rid of me?  Go ahead! Get rid of me!".  Sam then grabs the phone and says "Hello?" but Ginger furiously then struggles with Sam and she yells "YES! I FUCKING HATE YOU!! I CAN'T TAKE IT ANYMORE!! YES!  I WANNA KILL YOU!  I HATE YOUR FUCKING GUTS!!".  Sam then drags Ginger by her hands and shouts "You hate me guts???!! I want you to come with me now!!!" and he throws her into the bedroom as he shouts "I want you out of here!  I want you out of here!!".

Sam then throws a bag at Ginger and shouts "There!  Take your fucking bag and get out of here!" and Ginger shouts back "I'll go but I want my money right now!  The arrangement is over!" and Sam raging shouts "No kidding! NO KIDDING!!!".  Ginger then shouts "You can't just put me in the street!  I need some cash right now!" and Sam yells at her "You haven't been straight with me ever since I met you! You never even loved me in the first place! I need eyes in the back of my head with you, you fuckin' bitch!!!". And Ginger screams back "LOVE YOU?!  HOW I COULD LOVE YOU?! YOU TREAT ME LIKE I'M YOUR FUCKING DOG!!" and she throws some shoes at him and Sam, going out the room to gather some money shouts back "YOU'RE LOWER THAN A DOG!!".  Sam then comes back and throws the money at Ginger and shouts "Here! Here! Is this enough money? Will it last you two fuckin' days? Take it! Greedy bitch. Take the fuckin' money!!". 

And as Ginger leaves with her suitcase and some money she says to Sam "I'm taking Amy" and Sam angrily tells her "You're not taking Amy!" and Ginger says "I am!" and Sam angrily says to her "You're stoned!  You're a junkie!  Get out of here!".  Ginger shouts back "I'm not!  She's my daughter too!" but Sam forcibly opens the door and pushes her out and shouts "Send my lawyers a letter, god-fucking-damn you!".

However a little later, as Sam lies alone in his bed, smoking a cigarette, we hear a car pull up outside and Ginger comes back into the house and lies down next to Sam and she reaches out to him, seeking forgiveness and after a moment, takes her hand.  And Sam narrates "The funny thing was, after all that, I didn't want her to go. She was the mother of my kid. I loved her. And later, I realized I didn't want to give her the money... because if I did, I knew I'd never see her again".

And lastly there is the final scene where (SPOILER OF SORTS!!) Sam is in San Diego as a handicapper once again, making money for local people.  And Sam, wearing a large pair of glasses (a la Dennis Nordon's!) narrates "But in the end, I wound up right back where I started. I could still pick winners, and I could still make money for all kinds of people back home. And why mess up a good thing? And that's that".  Sam then takes off his glasses and he gazes contemplatively off to the distance before we fade out to the credits.

Joe Pesci next up is superb as the mobster, Nicky Santoro (based on real life capo Tony "The Ant" Spilotro) and given that Spilotro was actually a family man in real life, this allows for Pesci to play the character with a little more humanity than he did with Tommy De Vito in Goodfellas.  And this makes Nicky's character that bit more interesting and three dimensional given that Tommy was just a flat out, yet colourful, psychopath.  Yet with Nicky there are times where you can actually empathise with him a little despite his criminal behaviour.

Joe Pesci himself was also perfectly cast in this role on a physical basis because unlike his role of Tommy DeVito in Goodfellas, which was based on Tommy DeSimone, who was in fact 6ft 2" in reality, Tony "The Ant" Spilotro was only 5ft 2" tall and Joe himself was 5ft 4". So in the end it all worked out nicely casting Joe in the role. 

And Joe naturally also has his share of great scenes and even moments of narration, which are throughout the film just like De Niro's are.  So, this also will be tough to nail down just a few scenes for Joe here.

But to start off, there is the scene where Sam has one of Nicky's men, a cowboy, ejected from the casino for being rude to Sam and for refusing not take his feet off a poker table he is sitting at and put his shoes back on.  So, in the aftermath Nicky makes a call to Sam to find out what happened.

So, Nicky in the scene speaks to Sam on the phone and asks "Ace, what happened over there? I mean, did you know that guy you threw out was with me?" and Sam tells he didn't know that but he tells Nicky that the cowboy refused to take his feet off the table and he insulted him by telling him to go fuck himself. So, Nicky furiously turns to the cowboy and asks him angrily "You called my friend a faggot?!  You tell him to go fuck himself?!" and he hits the cowboy in the face with the receiver and he shouts at him "You big fucking hick..!".  Nicky then warns the cowboy "You go over there right now and you apologize. You better hope he lets you back in. If you ever get out of line over there again, I'll smash your fucking head so hard you won't be able to get that cowboy hat on! You hear me? Fucking hick!".

Nicky then goes back to Sam on the phone and tells him "Sammy, listen. This guy obviously doesn't know who he was talking to, you understand? He doesn't know that, uh, we're dear friends. I mean, he's already very sorry. But, uh, if you could do me a favor to let him back in, I swear to you he'll never get out of line again. I promise you that".  Sam then tells Nicky that he will let him back in but if does it again he will never set foot in the casino again.  Nicky then says to Sam "Alright, thanks, pal".

Nicky then hangs up the phone and turns to the humbled cowboy and with disgust says to him "You took your boots off? You put your feet on the table... you shit-kicking, stinky, horse-manure-smelling motherfucker you! You fuck me up over there, I'll stick you in a hole in the fucking desert! You understand?!!".  Nicky then slaps the cowboy and shouts at him "Go over there and apologise!" and he kicks the cowboy in the ass and shouts "Get over there!". 

Another good scene is when Nicky chastises a gambler, who owes Nicky money and he says to the gambler "You call yourself a man? You know you're a lyin' lowlife, motherfuckin' gamblin' degenerate prick?! You know that's what you are? Two small kids at home. I gave you money to pay the fuckin' rent...and buy groceries, put the heat on. Your wife called Frankie and told him the fuckin' heat's off. And you didn't gamble that fuckin' money?! No?! You didn't?!".  And the gambler quietly says "No, I didn't..." prompting Nicky to yell at him "Don't fuck with me, Al! Don't make a fuck outta me. You wanna embarrass me and make a fool outta me? You didn't gamble? Tell me you gambled
the fuckin' money... I'll give you the fuckin' money to put the fuckin' heat on! Did you gamble?!! Huh?!!".  The gambler then ashamedly nods his head and Nicky looks at him, disgusted, starts to count some money "Fuckin' degenerate. Fuckin' kids at home. Here!" and he gives the gambler some money Get the fuck outta here!".  And as the gambler says thanks and leaves, Nicky shouts after him "Let me find out you fucked up. I'll leave you where I find you!".

Then there is the scene where Nicky and his crew beat up and torture a new rising star mobster, Tony Dogs (Carl Ciarfilo) who shot up one of the Chicago outfit boss's places. So in the scene after brutally beating up Dogs for two days and nights, Nicky finally has to resort to putting Dogs head in a vice.

So, in the scene, Nicky narrates "To tell you the truth, I had to admire this guy.  He was one of the toughest Irish men I'd ever met. For two days and two fuckin' nights, we beat the shit out of this guy. I mean, we even stuck ice-picks in his balls!". And we see Nicky's men drag a bloodied and battered Dogs into a warehouse room where they lay him down on a table with a vice on it and they place his in between the opened vice.

And Nicky says to Dogs "Listen to me Anthony. I got your head in a fuckin' vise. I'll squash your head like a fuckin' grapefruit if you don't give me a name. Don't make me have to do this, please. Don't make me be a bad guy, come on!". However, Dogs with what little breath he has left, remains defiant and says weakly "Fuck you!" and Nicky shakes his head in disbelief and says "This motherfucker, you believe this?!  Two fucking days and nights?!!".  So, Nicky tightens the vice and he shouts out loud "Fuck me?!  You motherfucker?!  Fuck my mother?!!" and as the vice tightens on Dog's head, one of his eyes suddenly pops out of its socket and the Nicky and his men look away in disgust.

So, Nicky finally yells "Give me a fuckin name!!" and Dogs finally gives in and says "Charlie M" and Nicky asks "Charlie M???" and Dogs painfully says "Charlie M!".  So, this prompts Nicky to explode "YOU MAKE ME POP YOUR EYE OUT OF YOUR FUCKING HEAD, TO PROTECT THAT PIECE OF SHIT???!! CHARLIE M???!! YOU DUMB MOTHERFUCKER!!!". Dogs finally can't take the pain anymore and finally cries out "Kill me, you fuck!  Kill me!!" and Nicky turns to Frank and says "Frankie!  Do him a fuckin favour!" so Frankie takes his knife and cuts Dogs's throat and Nicky walks out and mutters to himself "Charlie M!".

Then there is the scene where Nicky meets with Ace's banker, Charlie as he wants his money back that he invested in Charlie's bank.  So, as Charlie tells Nicky "I told you Nicky when you started this, that you would have to accept some kind of loss" and Nicky smiles and says "Yeah.  I think I want my money back" and Charlie laughs a little nervously and asks "What are you gonna do?  Strongarm me?".

So, Nicky explains to Charlie "I think in all fairness, I should explain to you exactly what it is that I do. For instance tomorrow morning I'll get up nice and early, take a walk down over to the bank and... walk in and see and, uh... if you don't have my money for me, I'll... crack your fuckin' head wide-open in front of everybody in the bank. And just about the time that I'm comin' out of jail, hopefully, you'll be coming out of your coma. And guess what? I'll split your fuckin' head open again. 'Cause I'm fuckin' stupid. I don't give a fuck about jail. That's my business. That's what I do!  And we both know what you do, don't we, Charlie? You fuck people out of money and get away with it!".

And as Charlie tries to quickly leave and says "You can't talk to me like that!" Nicky grabs Charlie threateningly and says "Hey, you fat Irish prick! You put my fucking money to sleep. You go get my fucking money or I'll put your fucking brain to sleep!".  And Charlie, frightened looks at Sam and says "Sam...!" and Nicky tells him "Never fucking mind, Sam!  This is personal!  I'll be there in the morning!  You can try me, Fatso!  You fucking try me!" and Charlie exits down the stairs and Nicky turns to Sam and asks him "You think he got the point?!".

Then there is the scene (going over my five scene limit here!) where Nicky discovers that the FBI have a wiretap in his office (known as the Gold Rush) so in return, Nicky decides to buy a load of expensive surveillance gear to keep tabs on them!

So, in the scene Nicky looks through his binoculars and he narrates "Peek-a-boo, you fucks, you!" and he says to the feds out the window "I see you, you motherfuckers!". So, Nicky continues to narrate "If they're gonna watch me?  Fuck em!  I'm gonna watch 'em right back! I spent a few bucks. Top dollar. Who gives a shit?! I got the latest anti-buggin' equipment from the same places that sell to the fuckin' C.I.A. I had special police frequency radios, F.B.I. De-scramblers, cameras that see in the dark. And because of that, the miserable sons of bitches never caught me doin' anything I couldn't handle!". 

And last of all is the scene where Nicky confronts Sam out in the desert after he has heard of Sam's conversation with Andy Stone when Sam suggested that Nicky get's out of town for a while, so Sam can run the casino quietly.

So, in the scene, Nicky drives his car into the desert where Sam is waiting for him and Nicky get's out and storms up to Sam and angrily asks him "Where the fuck do you get off, talking about me behind my back, going over my head?!".  Sam then says "I don't even know what you're talking about, Nick" and Nicky angrily says "No? You said I'm bringing heat on YOU? I gotta listen to people because of your fuckin shit? You're orderin me out? You better get your own fuckin army pal!".

And Sam tells Nicky that he suggested that Nicky get out of town for a while to let things blow over but Nicky furiously shouts at Sam "Oh I don't know whether you know this or not, but you only have your fuckin casino because I made that possible!! I'm what counts out here, not your fuckin country clubs or your fuckin TV shows! And what the fuck are you doing on TV anyhow?!! You know I get calls from back home every fuckin day, they think you went bat shit!".  And Sam tries to explain he's only TV, so he can hang around the casino but Nicky shouts "Your fuckin ass! You coulda had the food and beverage job without going on television. You WANTED to go on TV!".  

Sam then finishes by saying "When you asked me if you could come out here, what did I tell you? I mean you asked me and I know you were gonna come out no matter what I said, but what did I tell you? Do you remember what I told you?!". Nicky however interrupts him and says "Back- Back up, back up a fuckin' minute here. One minute. I asked you? When the fuck did I ever ask you if I could come out here? Get this through your head, you Jew motherfucker you!  You only exist out here because of ME!!! That's the only reason. Without me, you, PERSONALLY, every fuckin' wise guy skell (slang for a petty criminal) around'll take a piece of your fuckin' Jew ass!! Then where you gonna go?! You're fuckin' warned! Don't ever go over my fuckin' head again! You motherfucker, you!!" and he storms off back to his car and drives off. 

Then there is the scene at Nicky's restaurant where a stoned Ginger sits and Sam storms in to confront her over leaving their daughter, tied up to her bed at home. So, in the scene Nicky tries to calm down Sam and says "Sam, just don't make a scene" but Sam furiously says "I wanna talk to that Irish bitch!" and Nicky then warns him "Hey! Be fuckin nice, calm! Be nice, be calm, don't fuck up in here!". 

So, after Ginger is taken back home and rows with Sam, she returns to Nicky's restaurant where Nicky anxiously asks her about what she said to him. So, Ginger says "Why don't you just kill him?!" and Nicky shakes his head and says "Shut the fuck up! You don't know what you're talking about...". Ginger then insists "Then just kill him and get it over with!" and Nicky yells "Oh, don't be a smart ass! I know the guy 35 years and I'm gonna whack him OVER YOU??! Motherfucker! I knew this! I knew it!". Ginger then asks "What about my money?" and Nicky shouts ever louder "How the fuck am I gonna get your money now?! You think he's gonna give you money? Look what you DID to this guy! If you only you kept your fucking mouth shut...aawww what is the use, I should never gotten involved!!". Ginger then furiously attacks Nicky, who drags her out the back of the restaurant and she threatens tearfully to go to th FBI.

So, Nicky heads back and looks at his scratches and says to Frankie "Look at this motherfucker!" and he says to Frankie "I fucked up, Frankie! I fucked up good this time!". Frankie then says "What could you do? I mean she threw herself at you, didn't she?" and Nicky looking scared for once says "I'm in a bad spot here, you know that? A bad fuckin spot!" and he puts his head in his hands.  

Last of all is the scene where Nicky and his brother, Dominic, go out into the cornfield and meet with Frankie and the other guys but are soon ambushed and beaten brutally with bats. So, in the scene, Nicky narrates "It took a while for everything to calm down but the bosses later wanted me to go back to Vegas. Dollars, always the fuckin dollars! But it was still way too hot to go anywhere near Vegas. So, the bosses had me and my brother Dominic meet out in the fields, I mean what is right is right and they don't give a fuck about..." and Frankie suddenly hits Nicky with a baseball bat and Nicky shouts "Aghhh!!". 

Sharon Stone next up, perhaps gives her best career performance here as Ginger, Sam's wife, who is a well known Vegas hustler and former prostitute.  However after they marry, its not long before their marriage goes downhill as Ginger becomes an drug addled, alcoholic, emotional wreck.

And Sharon has her own share of good scenes, such as the one where after Sam has Ginger's ex-boyfriend and former pimp, Lester Diamond (James Woods) beaten up, she complains about it to Nicky at his trailer (who unbeknownst to Ginger, arranged the beating).

So, in the scene, Ginger angrily tells Nicky about what happened and she says of Sam "He's such a prick! He had some guy from the hotel beat him up. He didn't want to do it himself. Oh, no, he didn't want to get his own hands dirty. So why did he have to do that, huh? Tell me!". Nicky tries to explain "You gotta understand it. He doesn't know if this guy is shaking you down..." but Ginger says "No. No. I told him all about this guy before we ever got married. This is no fucking surprise!".  And as Nicky tries to tell Ginger that Sam loves her and he's crazy about her, Ginger says "Come on! I went into this with my eyes open, you know. I knew the bottom could drop out at any time. You don't think I'm gonna go into a situation like this... if I don't think I'm gonna get covered on the back end!".

Nicky however then suggests that Ginger try and reconcile with Sam and go slow but Ginger angrily says to Nicky re: Lester "He could have killed him!! Okay? He could've killed him. He didn't have to hit him. It's not like I'm sleeping with the guy.He makes me sneak around to see my own friends. What the fuck is that all about?!" and Nicky says "I guess its because he loves you, he's jealous and he worries" but Ginger nearly crying says "Like he gives a fuck what I do!".  So, Nicky tells Ginger "Look, I'll try and find out what the hell's going on when I see him.  I'll talk to him" and Ginger then hugs Nicky and tearfully says to him "Thanks for putting up with me".  And Nicky takes Ginger's glass of whisky and he tells her "Take it easy with this shit!  This can only make matters worse!  You're a beautiful girl. I've seen a lot of girls get shot to hell from this" and Ginger through her tears says "You're so nice" and Nicky says "Come on, I don't wanna see you unhappy".

Then there is the scene where Sam catches Ginger on the phoning, talking to someone about the possibility of having him killed. So, Ginger says to the person on the other end (presumably Nicky) "I want to have him killed. Yes, I want him killed. I've fuckin' had it. So are you with me on this???".  Sam then breaks the silence and he asks Ginger "You want to get rid of me? Here I am. Go ahead. Get rid of me!".

So, as Sam grabs the phone and tries to speak to the person on the line, Ginger struggles with him and she yells "Yes, I do! I FUCKING HATE YOU!! I can't take it anymore!  Yes, I want to kill you! I HATE YOUR FUCKING GUTS!!!".  So, Sam drags into the bedroom and throws her bag at her and shouts "Take your fucking bag and get out of here!" and Ginger yells back "I'll go now but I want my money!  I need some cash!  You can't just put me into the street!!!".  So, Sam yells at her how she never loved him in the first place and he needs eyes in the back of his head and Ginger yells back "LOVE YOU?!! HOW COULD I LOVE YOU??!! YOU TREAT ME LIKE I'M YOUR FUCKING DOG!!" and Sam tells her "You're LOWER than a dog!!" and Ginger shouts back "Fuck you!!".

So, as Sam gives Ginger some money and he tells her to get out, Ginger at the door says to him that she will take their daughter "I'm taking Amy" and Sam firmly says "You're not taking, Amy!" and Ginger shouts "I am!  I'm waking her and I'm taking her right now!".  Sam furiously tells her "You're stoned! You're a junkie!  Get out of here!" and Ginger shouts "I am not!  She's my daughter too!!" but Sam then shoves her out the front door and shouts back "Send my lawyers a letter, god-fuckin-damn you!!".  And then we hear Ginger yell "You're not getting away with this! You're not gonna cheat me out of my end!" and we see her outside shout "Fucker!!" and she storms off to her car.

Another great and also even funny moment from Sharon is when Sam takes a stoned Ginger back home from Nicky's restaurant where she was, not long after Ginger had left Amy at home, tied to her bed.  So, Sam asks Ginger re: Nicky "So, you need approval from him to go home now?" and Ginger with a look of contempt asks Sam angrily "So what? So who fucking blew you in the parking lot before you came in, huh?!".  Sam however looks disgusted at her and says "You make me sick, you fuckin...once a hooker, always a hooker!" and thing prompts Ginger to yell furiously back "Oh, fuck you!  Fuck you, Sam Rothstein!!  FUCK YOU!!" and she storms out and slams the door.  

Then there is perhaps Sharon's best scene in the film where a crazed Ginger comes back the following morning in her car where she drives up onto the front garden and she yells at the top of voice at Sam.  So, as Ginger rams the car repeatedly at the rear of Sam's car in the driveway, she screams out "You come down here right now! Get down here and talk to me, goddamn it! Don't fucking ignore me, YOU MOTHERFUCKER!  I MEAN IT!!! You come down here right now! Get down here and talk to me, goddamn it!!! Fuck you!!! Goddamn you, come out here! I'm gonna drive your fucking car through the living room!!!".  Ginger then get's out of the car and she falls down as she yells "You fucking coward! You motherfucker, you! Come out here and talk to me, you fucker!!!".

Sam finally and rather tentatively walks out and he says to Ginger "Will you stop it?!  You're drunk!  You're on drugs!" but Ginger screams "I am not!!" and Sam warns her "You're gonna be sorry if you don't stop it! The whole neighborhood..." however Ginger, absolutely livid screams "DON'T YOU THREATEN ME!!! DON'T YOU THREATEN ME!!!! You are not threatening me anymore! You fuck! You fuck! I'm sick of you! I AM fucking Nicky Santoro! I am! He's my new sponsor! How about that, you fuckhead?!!".

However the police then show up, responding to the disturbance and they ask what is going on and Ginger tells them that she just wants to go inside to get a few things as she has been wearing the same clothes for two days.  So, as the cops ask Sam if he can let her in, he responds "I'm afraid to let her in the house!" prompting Ginger to furiously pick up some grass and leaves from lawn and throw them at Sam "Fucker!! You ought to be afraid, the way you fucking treat me!".  Sam however reasons with the cops and says to them "If she calms down, I will let her in for five minutes, if you gentlemen escort her out, if she might not want to leave".  So, Ginger asks the cops "Can I go in?!  Can I go in?!" and they yes and Ginger says "Fine!" and as she brushes past Sam, she yells at him "Fuck you!".

James Woods is also excellent in his role as Lester Diamond, the sleazy pimp, who is Ginger's ex-boyfriend (and pimp!) who Ginger can't seem to turn away from much to Sam's annoyance.

And Woods has some good moments in the film but I will only mention two of his scenes and they come one after the other where Ginger and Lester, along with her daughter, Amy, go off to Beverly Hills together and Sam soon finds out and talks to Lester on the phone.

So, after Lester finishes talking to Sam, he goes over to Ginger and says to her "He's got two million in the box, am I right? You let him keep your jewels. We take the cash and the only other thing he cares about. Huh?" and he indicates Amy and says "Her majesty. We go to Europe. You dye your hair...".  Amy interrupts Lester and says "I don't want to go to Europe" and Lester says "We're going to Europe. Let the adults talk!" and he continues to say to Ginger "You dye your hair. You get plastic surgery like we talked about. You're the mother. How much you think he'll pay to get this kid back?" Amy interrupts again and Lester finally snaps and says "Shut your mouth!".  Amy however simply says "YOU shut up!" and Lester angrily says "You want me to come over there? I'll smack your face! Don't give me your shit!" and to Ginger "This has always been a dream, but now we're going".

Ginger however is not impressed by Lester's delusions of grandeur as she knows Sam is onto them and she says to Lester "Lester he called you here. He just called you right here" and Lester says "I know, I just talked to him" and Ginger, agitated, says "That means he's probably sending some guys over here, right now".  Lester however brushes off Ginger's concerns and says "It means he's sitting by the phone, like a dumb bell...waiting for me to call him back!".  Ginger then snaps "He's sitting by the phone just waiting for you to call! WHAT DO YOU THINK WE'RE GONNA DO?!! HE'S PROBABLY GOT GUYS OUTSIDE THE FUCKING HOUSE!!!".

Then in the next scene, Ginger get's off the phone with Nicky, who tells her to stay put and keep calm and he will call her back in an hour.  So, after this Ginger goes back to the car, where Amy is winding up a riled Lester, who angrily says to Ginger "You're not gonna drive! Don't even think you're gonna drive. I'm gonna drive. I'm not gonna drive with some crazy woman! Get on the passenger side! And I'm sending this kid to Bolivia in a box!!". 

Frank Vincent (who sadly passed away last year) is also very good in his smaller role as Frankie Marino (based on real life gangster Frank Cullotta) Nicky's right hand man and he too also previously appeared in Goodfellas (as the gangster, Billy Batts).   

So, I will only mention of two of Frank's scenes for time (as this post is long enough as it is!) starting with the scene where Frankie meets with two Irana diamond merchants and they haggle over the price they will take for diamonds that Nicky's crew had stolen.

So, one of the Iranians says there are flaws in the diamond he is examining and Frankie protests and tells him "You better clean your fuckin loupe because there's now flaws in this diamond!" and Frankie states the amount he wants "40,000 for the whole package".  However the dealer then suddenly says in English "20,000 and that's my final offer!" and Frankie says to the other Iranian "All of a suddeny he talks English!  Let's talk Turkey here! How about 25,000???". 

And secondly there is the scene where Frankie meets with Nicky's boss, Remo Gaggi (Pasquale Cajano) who is concerned that Nicky might be having an affair with Ginger, so he asks Frankie if he has heard anything about it.

So, Remo in the scene asks Frankie "The little guy, he wouldn't be fucking the Jew's wife, would he?  Cos if he is...its a problem!".  So, before Frankie answers, the screen freeze frames and we hear for the first time Frankie narrate "What could I say? I knew if I gave them the wrong answer, I mean, Nicky, Ginger, Ace - all of them could have wound up getting killed. Because there's one thing about these old timers: they don't like any fucking around with the other guys' wives. It's bad for business. So I lied, even though I knew that by lying to Gaggi, I could wind up getting killed too!".

And it then unfreezes and Frankie says "No, I haven't seen anything like that" and Remo asks "Are you sure?" and Frankie says "I'm positive.  Remo, things are very fucked up down there" and Remo says "I know, that's why I'm asking" and Remo then tells him to keep an eye on Nicky and finishes saying "Frankie, you're a good boy" and Frankie says "Thanks, Remo".

WARNING: BIG SPOILER COMING UP!!!

And last of all is the film's most brutal scene where Nicky and his brother, Dominic, meet with Frankie out in a cornfield where he and Dominic are suddenly attacked and brutally beaten to a pulp by Frankie and other men with baseball bats. And in the scene, Frankie beats Nicky and shouts at him "Tough guy, huh?! You and you're fuckin brother! Well NO MORE!! You fucking scumbag! Watch!!" and he proceeds to beat Dominic brutally near to death and after they are done, Frankie says "OK, strip him!" before he proceeds on to beat up Nicky.     

Don Rickles, a well established American comedian, also puts in a fine performance playing the straight man for once, as Billy Sherbert the casino manager.

So, I will only mention two of his scenes again starting with the one where Billy eyes one of the cheating players at the casino having his winnings counted.  So, Billy walks up to him and smiles warmly and says "Hiya. That's a lot of money to be counting out in public. Why don't I take him... over to the office and verify it? A little privacy. And by the way... send over a nice bottle of champagne on ice!". So, Billy offers his hand to the cheater and says "By the way, I'm Billy Sherbert, the casino manager" and the cheater says "I have a plane to catch to Cleveland. Can I get my winnings?" only for him to be lead back to the basement room where he finds his cheating partner with a broken hand and Sam to give him an ultimatum.

Then there is the scene where, Billy is forced to call Sam when Nicky unexpectedly turns up at the casino (after he has been banned from all the casinos in Vegas due to his criminal activities). So, Billy says to Sam on the phone, who is at home in bed "Sam we got a problem. The little guy. Nobody told him he was eighty-sixed from the joint. We turned our heads and made out we didn't know who he was. He's over at the 21 table with his nose wide open. He took money out of his own kick. His nose is open for about 10,000. Now he's really pissed!". 

L.Q. Jones is also very good in his role as County Commissioner, Pat Webb, who's brother-in-law, Don Ward, was fired by Sam for his incompetence at the casino.

And I will mention two of Jones's scenes aswell, starting with his main one where Webb meets with Sam at the casino and tries to smooth out what happened with Don.  So, Webb says to Sam "I come here personally to kind of smooth over...any fracas about a certain matter. See, uh, maybe you didn't know it... but Don Ward is a very well-liked man in this town. He's got lots of friends. Nice family and their money go back many, many years. Now friends vote. Family and money votes. That's important to me and you. And if you'll think about our little problem along them lines...and you'll forgive me for sayin' it...maybe he did not deserve to be fired".

Sam however insists that Don is weak and incompetent and cannot be trusted to be hired back to work at the casino and Webb even admits that Don is not much use and he says "You got me there. Ol Don is as useless as tits on a boar!". However after Sam refuses Webb's plea to hire Don back, even in a lesser role, Webb warns Sam "Mr. Rothstein, your people never will understand...the way it works out here. You're all just our guests. But you act like you're at home. Let me tell you something, partner. You ain't home. But that's where we're gonna send you if it harelips the governor. Thank you for your time".  And Sam shakes Webb's hand at the end and says "Sorry" and Webb looks at him and says "You bet!".

And secondly there is the scene where Webb reads a newspaper headline stating that Sam is the new boss at the Tangiers Casino.  So, Webb asks two gaming control board advisors of Sam "Has that man even filed for his gaming licence yet??" and one of the advisors says "I don't know. We'll need to check the files".  So, Webb finishes by saying "Well, without gettin your shorts in a knot, could you do that and check closely. Cos, we may have to kick a kike's ass outta town".  

Alan King also is pretty good in his role as Andy Stone, head of the Teamsters pension fund, who is respected figure but secretly is working with the Mafia and he acts as a go-between the bosses and Sam.

I will only mention one of King's scenes and its the one where Sam has a private meeting with Andy after Remo advises Andy to tell Sam that maybe he should quit his job at the casino.

So, as they begin to chat, Sam says to Andy "First of all, what they did is totally unconstitutional, we are already on the list for the supreme court..." but Andy interrupts him angrily and says "These guys don't give a fuck about the Supreme Court and all this bullshit! They want you to walk away!". Sam however refuses to do so and says "Walk away?! How can I walk away? Andy, do you realise how much is at stake?!". Andy then warns Sam "The old man said maybe your friend should give in. When the old man says "maybe," that's like a papal bull. Not only should you quit, you should run!". Sam however suggests why doesn't Nicky take a break and get out of Vegas for a while to let things blow over but Andy tells him "They ain't sending Nicky nowhere" and then "I would forget about the manouever. I would just get out!".

And last of all is Pasquale Cajano as Remo Gaggi, who is also very good in his role as the aged yet very powerful Chicago mob boss, who is in charge of Nicky and the others.

So, I will mention just two of his scenes, starting with the one where Remo meets with Frankie and voices his concern over the rumours of Nicky sleeping with Ginger.  So, in this scene Remo asks Frankie "Frankie, I want to ask you something. It's private. But I want you to tell me the truth" and Frankie says "I always tell you the truth, Remo".  So, Remo asks "Frankie... the little guy... he wouldn't be fucking the Jew's wife, would he? Because if he is, it's a problem".

So, Frankie narrates that if he admitted that Nicky was, it could end up getting them all killed, so he lies to Remo and says no. Remo then asks "Are you sure?" and Frankie says "I'm positive. Remo, things are very fucked up down there" and Remo says "I know. That's why I'm asking.You see, my main concern is Nicky.  I want to know if he's doing all right, if he's okay" and Frankie says "He's good, he's fine".  And Remo says "I want you to keep an eye on Nicky. Do it for me" and Frankie says "No problem" and Remo says "I wouldn't want to be jeopardizing anything for our friends. Understand?" and Frankie says "I understand" and Remo pats Frankie's hand and says "Frankie, you're a good boy".

And secondly there is the scene where the bosses all have a private meeting in the back of the courthouse, whilst they are on trial, they decide Andy Stone's fate.  So, three of the four bosses say that Andy is OK and he won't talk but one of them finally asks Remo and what he thinks and Remo sighs and says "Look...why take a chance?  At least that's the way I feel about it".

Well, that's that MASSIVE section over with! 

DIRECTOR 

Ok, so FINALLY moving onto the director's paragraph, Martin Scorsese once again does a terrific job here, as he really does manage to succeed in making Casino feel like an epic film as it surely is that at almost three hours in length (2 hours and 58 minutes to be exact!). And yeah OK there might be some slow scenes here and there but for the most part, Scorsese does a great job with pacing given the film's length. Scorsese also shot at the Riviera casino in Las Vegas at night time and used the defunct Landmark Hotel as the entrance to double as the Tangiers casino. 

Scorsese also once again show's his great technical skill as a filmmaker, which is seen in scenes such as the one where Sam waits nervously out in the desert for Nicky to meet with him and we see Nicky's car drive pass in Sam's sunglasses.  Then there are the scene where Scorsese neatly uses dissolves to show the passing of time, such as where Sam and Andy Stone have a private meeting in a car and also when Andy finishes his meeting with Remo at one point outside Remo's car.  And of course there is also the scene where Nicky beats up on someone but he is burned out from taking too much cocaine and it cuts to an extreme close up of cocaine being sucked up through a straw.

So, overall the film is filled with Scorsese's wonderful technical touches and it certainly stands as one of his very best films. 

SOUNDTRACK   

Moving onto the music in Casino, which again plays a integral part of the film, and Scorsese makes great use of old classic tracks from bands such as The Rolling Stones "Can't you hear me knocking?" Devo's "Whip it", Roxy Music "Music is the drug", Fleetwood Mac "Go your own way" and "Toad by "Cream".  Not to mention one of my favourite tracks used in the film "Walk on the wild side" by Jimmy Smith in the scene where Nicky murders the real-estate agent, Anna Scott.  And last of all of course is The Animals "House of the Rising Sun", which acts perfectly as a moral foreboding as the events of the film unravel in its climax.

FLAWS & HISTORICAL LICENCE

As for flaws...yes OK Casino still does have a few niggles here and there and given its based on true events even with different named charaters, its still has a few inaccuracies compared to real life, which are worth mentioning.

To start off, I think a problem I had with the film was to do with the melodrama of Sam and Ginger's marriage as there are times where it drags the pace of the film down a little, not to mention the tensions between them both regarding Lester Diamond, Ginger's former boyfriend and pimp.  Particularly the scene where Sam and Ginger get married and Ginger after speaks on the phone to Lester and also where Ginger lies in bed, wallowing in self pity after Sam has Lester beaten up.  Both of these scenes are a bit tedious for me personally and drag down the pacing.

Another issue was to do with the whole idea of Artie Piscano (who was based on real life Kansis City underboss, Carl DeLuna) as an underboss for the Chicago mob as he is totally incompetent and it begs the question: how in the hell did he end up being promoted to being an underboss in the first place if he so inept???!!  I mean the guy basically messed up the whole operation for everybody involved in the casino by blabbing about his troubles in monitoring the bosses's casino skim (as the workers at the casino were stealing) to his mother and brother while the FBI had tapped his store and listened in on everything he said.

So, in the end when the mob bosses get decide to whack anyone involved and who might talk against them, it all (well in part anyway) boils down to their incompetence in putting Artie in charge of ensuring nobody inteferred with the skim in the first place!  So, if they had put someone else in his place more "capable" then just maybe this wouldn't have happened. In the end, the mob bosses sunk themselves with their decision to put Piscano in charge!

In reality however, DeLuna's home was raided by the FBI and they discovered in his basement a number of cryptic notes that along with wiretaps linked the Mafia to the illegal control of the casinos in Las Vegas. DeLuna himself did not die of a heart attack in front of his wife as Artie Piscano was depicted as doing but instead was sentenced to 20 years imprisonment and later died in 2008. 

I also found that Sam's love for Ginger was at times pretty blind to say the least that he would even imagine that he could trust her, as he says to her at one point in the film "I have to trust you with my life!".  Yet, Ginger is clearly a pretty sleazy, untrustworthy character as it is, so how could Sam possibly expect to trust her int he first place?!  As the film progresses however, Sam quickly wisens up to the fact that Ginger simply cannot be trusted.

In reality, Sam's real life figure Frank "Lefty" Rosenthal had married Ginger's real life counterpart, Geri McGee, who was in actual fact a cocktail waitress and showgirl and not a prostitute as depicted in the film and her former partner was Lenny Marmor, whom she was previously married to and he was not a pimp. Franky was also said to have beaten up Geri on several occassions, which was not depicted in the film between Sam and Ginger, so perhaps the reality was again very different in that Geri may have been a more sympathetic figure in reality than Ginger was, as she wanted to escape the controlling and volatile nature of her husband in Franky. 

Getting back to the film though there are also one or two unintentionally laughable moments, such as the one where Ginger visits Nicky at his trailer and the two of them discuss how Sam has changed. And as Ginger becomes upset, Nicky comforts her and they soon begin to kiss and in a laughable moment, Nicky pushes Ginger's head down to his lap, so she can blow him.  Its one of the rare silly, laughable moments in the film for me personally.

Then there is the scene where Sam decides to put himself on TV in an effort to strengthen his case to try and get a second chance at a hearing to apply for his gaming licence.  However this is also a pretty silly scene and surely in the end, it won't really make any difference as to him getting a chance to appeal his denied request for a gaming licence. However at weird as it may seem, this was in fact based on reality as Franky Rosenthal did indeed create his on TV show to boost his profile and have a go at the gaming control board, which was called the The Frank Rosenthal Show. The show only lasted two episodes at the time and was cancelled but there was a brief spell after the film was released that saw it might be revived but it eventually didn't go through. 

Another troublesome aspect of the film is the brutal scene where Nickie and his brother are beaten near to death and buried out in a cornfield, which is naturally pretty disturbing to watch. However, in reality, Spilotro and his brother's (Michael) death were not confirmed to have happened there but Michael's car was found abandoned at a model, suggesting they have been killed elsewhere. 

Another thing that is also curious in the film is just how they never once mention where all the characters come from, which the History Buff's channel video on the film brought up as all they mention are the words "back home" when it comes to their original location. However in reality the Mafia crew and Franky all came from Chicago and the family themselves were know as the "Outfit" but it seems strange that they didn't want to even mention this in the film!

And finally there is that moment where the FBI stop off their plane on Sam's private golf course, as they have run out of fuel, surveilling Nicky and his crew as they play golf. So, the FBI agents are seen running past Sam, who is having a meeting with two gaming board associates. This is a pretty silly scene in itself but it surprisingly enough did happen as agents were forced to make an emergency landing but it was due to the plane having mechanical issues and not fuel and it was even caught on the news at the time. 

However, to conclude regarding any inaccuracies, the film does acquit itself in a way because at the start is states in the titles "This film is based on true events" so its not actually saying it was a true story in itself but to be fair, Casino is relatively accurate to the events that happened during that time.

Anyway that's it for the flaws.

SUM UP

So in summary, Casino still remains one of Martin Scorsese's finest films and for me it is just pipped by Goodfellas out of Scorsese's two Mafia dramas, but Casino to its credit does have bigger scope and is more ambitious and it succeeds on both those fronts.  The film also has top performances from its cast, particularly the three leads of Robert De Niro, Joe Pesci and Sharon Stone, as all three of them deliver exceptionally good performances.  Scorsese's direction is also top rate and he also again makes great use of his soundtrack via a collection of music artists from the 1950's, 60's and 70's.

And yeah OK there are some minor pacing issues here especially to do with the awkward love triangle of Sam, Ginger and Lester, which initially is a bit tedious and the film to a certain extent does take one or two liberties with the truth but nothing too drastic overall as it does do a fairly good job at depicting the true events of the time.

However all that aside, this is still a great film that warrants repeated viewings and is almost on equal footing to Goodfellas with only a few scenes slowing it down and dragging slightly down just a bit below its level. 

So, I will rate Casino:

9.5 out of 10 

So, that's it for now and I will be back with another post before the end of the month.

Until then its bye for now! 

 

Saturday, 27 December 2025

Batman Returns Review (revisited) "Mistletoe can be deadly if you eat it!"


 

 

 

 

 

 

 

So, I hope you all had a good Christmas and I figured I would get a couple of posts in before year is out and so this one is a revisit of a festive film that I watched on Christmas day, so I thought I would take another look at it, which is 1992 superhero film, Batman Returns.

So, this one is said to be a bit of a mixed bag and in the past hasn't been a favourite of mine either in terms of Batman films. So, let's see how it fair 33 years on from its release...

And the usual is coming...

PLOT SPOILERS AHEAD!!! 

STORY 

So, the films begins with the birth of the son of Tucker (Paul Reubens) and Esther Cobblepot (Diane Salinger), who turns out to be hideously deformed.  The Cobblepot's soon decide that after the child attacks their pet cat that it may become a menace to society, so they dump the child in its crib into the Gotham river where it soon floats into an abandoned zoo and is found by a flock of penguins who raise the child as one of their own.

The film then cuts to 33 years later, during the lighting of Gotham's Christmas tree, a gangs of circus thugs launch a staged attack but Batman (Michael Keaton) soon arrives at the scene and subdues the criminals.  Present at the lighting ceremony is corrupt industrialist, Max Shreck (Christopher Walken) who is soon abducted and taken to the underground lair of the Penguin (Danny DeVito) a disfigured crime boss, who's body resembles that of a penguin.  The Penguin explains to Shreck that he wants to live again on the surface of Gotham and become a respected citizen and he blackmails Shreck into helping him as he shows evidence of Shreck's past dirty dealings.

In the meantime, Shreck's awkward secretary, Selina Kyle (Michelle Pfeiffer) stumbles upon Shreck's plans to illegally monopolise Gotham's electricity supply.  Shreck on finding her and in order to protect his secrets, pushes Selina out of a high story window and she falls through several canopies on the window before landing on the ground, seemingly dead.  At this point a group of cats swarm around her, licking her and bring her back to life.  Selina the goes back to her apartment, traumatised she then trashes it and fashions herself a black vinyl suit and why, transforming herself into Catwoman.

The Penguin then with Shreck's help, stages the kidnapping of the son of Gotham's mayor (Michael Murphy) allowing the Penguin to save him and bring himself to the surface where now on TV reveals he wants to find out who he is.  The Penguin is then given access to Gotham city's archives where he learns his real name, Oswald Cobblepot but then is seen also making a large list of names from the archives.  This now leaves Bruce suspicious of the Penguin's motives as dressed as Batman, he drives by the archive building and sees Oswald inside.  Bruce also learns that Oswald was previously a member of a circus freak show years ago.

Meanwhile Bruce persuades the mayor to not provide a permit for Shreck's power plant, which soons leads to Shreck hatching a plan to replace the current mayor with the Penguin instead.  The Penguin then stages an attack downtown which ruins the mayor's reputation but while this happens, Catwoman makes her appearance at Shreck's department store, which she blows up.  Batman at the same time confronts the Penguin who flees using a propelled umbrella and Batman then pursues Catwoman, who fights him, which ends with Batman punching her off the roof after she stabs him in his side with one of her claws and Catwoman survives by landing in a sand truck.

Catwoman not long after then visits the Penguin where she says she wants to play a part in a plan to discredit Batman to which the Penguin agrees as they devise the abduction of Gotham's beauty queen, the Ice Princess (Cristi Conaway) and plan to frame Batman for it.  As the abduction takes place, Batman soon turns up but he is unable to save the Ice Princess as the Penguin murders her by using a swarm of captive bats placed in one of his umbrellas, which causes the Ice Princess to fall to her death off a rooftop.  After this the Penguin tries to make an amorous advance of Catwoman but she rejects him, which angers the Penguin who attempts to kill her by using one of his motorised helicopter umbrellas, which takes her into the sky and she soon falls crashing into a greenhouse, which uses up one of her nine lives.

In the meantime as Batman leaves the scene in his batmobile he discovers that it has been sabotaged by the Penguin, who takes remote control of it and drives the vehicle wildly on the streets in a rampage.  Batman then records the Penguin's threats and mocking remarks onto a CD and soon detects the location of the control device and removes it, taking control of the batmobile again he escapes.  Not long after this, Bruce using the recording of the Penguin's words, hacks into the PA system during the Penguin's public speech and plays them over the speaker system, which ruins the Penguin's public reputation, which angers him and he flees to the sewers.  The Penguin then continues with his original plan to snatch the first born sons of Gotham's citizens where he then intends to drown them.

Bruce not longer after attends a masquerade ball where he meets Selina again and by accident they discover each other's secret identities but at this points the Penguin gatecrashes the ball and abducts Shreck (at Shreck's own pleas in place of his first born son, Chip).  However Batman soon thwarts the Penguin's nefarious plan so the webbed foot madman goes for plan B, which is to use his penguins wired up with rockets to launch an assault on Gotham.  And its from here Batman must find a way to stop the Penguin from carrying out his wicked plan and save Gotham....

THOUGHTS

It has to be said that after the huge success of Batman, Batman Returns is a bit of a mixed bag and fails to live up to the standard of its predecessor and Burton himself, who initially had no plans to come back to do a sequel, was given full creative reign to do what he liked in the sequel but I think this was to the film's detriment.  The film also has a much darker tone than the first one and it sees Burton give his own take on the Penguin, rather than leaving him as the portly squat figure that we usually are used to seeing, he decides to turn him into a more grotesque one.

And Batman here as a character actually feels a bit more sidelined than we would like as he appears to play a supporting character to film itself and at times you feel the film just happens around him rather have him be the main focus.  So for me the film remains an inconsistent hotchpotch of ideas and themes that don't quite gel well together.  But despite this, the film still has some good moments here and there even if it isn't an altogether satisfactory one.  

PERFORMANCES AND NOTABLE SCENES (Warning this section may contain spoilers!)

As for the performances, they are actually for the most part very good. 

Starting with Michael Keaton who does a pretty good job as Batman but his Bruce Wayne has always been a bit underwhelming and I think his performance lacks the charisma needed to play the part of Wayne.  Keaton's Batman however is certainly way better and there even moments where you feel that he is perfect in the role.

And Keaton still has some good moments in the film that include Batman's first scene where he subdues the Penguin's gang.  And in the scene there is a moment where one of the gang, grabs Selina and holds a taser to her neck and he threatens Batman not to come any closer.  So Batman then fires his grapple gun into the wall behind the thug who looks back and grins saying "You missed!" but then Batman yanks the grapple line which pulls out a chunk of the wall and hits the thug in the back of the head, knocking him out.

Then there is the scene where Bruce in the Batcave reads up articles from his computer on a circus gang that the Penguin may have been connected to.  And Bruce reads form the article "Featuring a poodle lady, the world's fattest man... and an aquatic bird boy.".  And this prompts Alfred why is Bruce so interested in proving the Penguin isn't what he seems and Bruce continues to read ""... circus folded its tents yesterday, perhaps forever after numerous reports of missing children. In several towns, police have closed down the Red Triangle's fairgrounds, however at least one freak show performer vanished before he could be questioned".  And Alfred then says "I suppose you feel better now, sir" but Bruce then says "No, actually I feel worse".

Another good scene from Keaton is when Batman confronts the Penguin during a staged attack and he says to the Penguin "Admiring your handiwork?" and the Penguin says that he is gravely assessing the devastation and "upstanding mayor stuff!" prompting Batman to say "You're not the mayor" and Penguin replies "Things change!".  And Batman asks "What do you want?" and the Penguin says "Ah the direct approach!  I admire that from a man who wears a mask?  You don't really think you'll win, do you?" and Batman smiles slightly and says "Things change".

Then there is the scene when Bruce and Selina meet up at his place and Bruce awkwardly tries to tell Selina in a cryptic way about his dual personality. So, Bruce says to Selina "See, if I say yes about my personality, you're gonna think of me as some Ted Bundy, psycho type and well...you might not let me kiss you". However, Selina not phased says "It doesn't bother me, its the so-called good guys that always let you down, at least sickos are committed".  So, as they start to kiss and touch each other although they start to unwittingly reach and touch the wounds they sustained during their fight as Batman and Catwoman and they suddenly jump apart.  And at this moment Selina says "I can't do that!" and Bruce awkwardly says "Me neither!".

After this Bruce sees the news of the Ice Princess's kidnapping and he runs off to Alfred and tries to give him an excuse for his departure "Here's what I want you to do... tell Selina - tell Miss Kyle in there - tell her, uh, tell her I had to go out of town, a big business deal came up or some... no, you know what? Tell her, you know, not in some dumb, "be my girlfriend" kind of way...".  And Alfred simply says "I will relay the message" and Bruce says "Great" and then runs off to the Batcave.

And lastly there is the scene when Batman confronts Selina over her actions as she attempts to Shreck near the end of the film.  Before that though, Batman delivers one of the best lines when he turns up and Shreck relieved to see him says "You're not only saving a friend but..." and Batman shoves him back and says "Shut up! You're going to jail!". 

So, Batman, talking to her as Bruce says "Why don't we just take Shreck to the police and go home?  Selina, please don't you see?  We're both the same....split right down the centre" and he rips off his mask, revealing himself to her.  And Selina says "Bruce... I would - I would love to live with you in your castle... forever, just like in a fairy tale.... " and as Bruce reaches out to her she suddenly lashes out and slashes his face with her cat claws and she yells "I just couldn't live with myself, so don't pretend this is a happy ending!".  

Michelle Pfeiffer is excellent in her dual role as Selina Kyle and Catwoman and even though its pretty superficial at times she occasionally manages to show Selina's struggle with her own personality after she becomes Catwoman and she becomes intent on getting revenge over Shreck.  And Michelle also manages to play Catwoman's anti-heroic qualities perfectly well as well as imbue the character's sexiness and there's simply no getting round the fact that Michelle looks rather sexy in that vinyl suit! ;-)   

Michelle also has some good moments in the film and some of the film's best (or better) lines and her good scenes include the one where she first appears at Catwoman on the streets as she stops a mugger from assaulting a woman.  And in the scene Catwoman says to the mugger "Be gentle, its my first time!" and she efficiently manages to kick the mugger's ass and slashes at his face with her claws.  And as the woman is about to thank Catwoman, Catwoman grabs her by the throat and says "You woman are so easy, aren't you?   I am Catwoman. Hear me roar!" and the somersaults away (although since when did a cat ever roar?!).  

Another good scene is when Catwoman fights with Batman up ontop of the rooftops but before that she announces herself to Batman and the Penguin just after she rigged Shreck's store to blow and she says to them "Meow!" just before the store explodes.  And in the next moment, Catwoman and Batman fight and in self defence Batman punches and she falls down, hurt she says "How could you?!  I'm a woman!" and Batman apologies but she fights him again.

And then she dangles Batman from a rooftop using her whip she says to him "As I was saying, I'm a woman and can't be taken for granted. Life's a bitch, now so am I!" and Batman uses a napalm device to disable her.  And after they fight Batman lifts her back up on the roof and she asks "Who are you?  Who is the man behind the bat?" and she then stabs him in his side with her claw, which prompts Batman to punch her off the roof and she lands below in a sand truck and she says to herself "Saved by kitty litter!" and laugh saying "Bastard!".

Then there is the scene where Catwoman invites herself into the Penguin's lair and she lies on his bed and says "Its chilly in here!" and the Penguin suggestively says "I'll warm you!" and Catwoman puts her foot on him and says "Don't Oswald!".  And as the two of them toy with each other, Catwoman says to the Penguin "Batman napalmed my arm, he knocked me off a building just when I was starting to feel good about myself. I wanna play an integral part in his degradation.  I want in. The thought of busting Batman makes me feel all... dirty. Maybe I'll just give myself a bath right here!" and she proceeds to lick her hand with her tongue and rub it around the top of her masked head (weird!).

Another good moment is when Selina meets up with Bruce for a date at his place and he awkwardly tells her that if he reveals the truth about himself that "You might think I'm some sort of Norman Bates, Ted Bundy type and....you won't let me kiss you".  And Selina looks indefferently at him and says "It's the so-called "normal" guys who always let you down. Sickos never scare me. Least they're committed" and Selina suddenly leans in and kisses Bruce. 

Then there is the scene where Selina and Bruce meet up again at the masquerade ball and they dance slowly with each other as Selina reveals she has a gun and plans to kill Shreck, which is one of Pfieffer's best scenes. So, as they dance Selina asks "So, why did you come here?" and Bruce says "To see you" and Selian says "That's nice. I wish I could say the same but I'm here for Max". Bruce a bit confused asks "What, you mean you and Max?" and Selina laughs loudly and says "No!" and she pulls out a gun and says "THIS and Max!" and she holds the gun at Bruce and says "Now don't give me a "killing Max won't solve anything" speech! Aren't you tired of the same old, sanctimonious speeches from a guy above ground when he should be six feet under it?!". So, Bruce stunned asks Selina "Who do you think you are?" and Selina a bit confused and emotional says "I don't know who I am, Bruce" and she laughs dementedly.  

So, as they dance, Selina looks up at the ceiling and sees mistletoe and she says to Bruce "A kiss under the mistletoe. You know, mistletoe can be deadly if you eat it" and Bruce says "But a kiss can be even deadlier.....if you mean it" and they both look each other realising their secret identities.   So, they continue to dance as Selina says in surprise "Oh, my God. Does this mean we have to start fighting?!".

Last of all is the scene where Selina reveals herself to Shreck in the Penguin's lair as she takes her mask off and Shreck says "Selina, Selina Kyle! You're fired!". Shreck then looks at Bruce, unmasked as Batman and asks "And Bruce Wayne, why are you dressed up like Batman?" and Selina says "Because he IS Batman, you moron!" and Shreck aims his gun at Bruce and says "Was!" and shoots him. Selina then says to Shreck "You killed me, Penguin killed me, Batman killed me, you think you've got enough in their to finish me off??!" and Shreck says "One way to find out" and he shoots the gun twice. So, Selina painfully whinces and twirls her whip and says "Four, five!" and he furiously whips at Shreck "STILL ALIVE!". Shreck then shoots her twice more and Selina painfully limps and says "Six, seven, all good little girls go to heaven" and she nears him as Shreck points the gun at her stomach and it clicks empty. Selina then bursts out laughing and says "Two lives left. I think I'll save one for next Christmas. In the meantime, how a bout a kiss Santy Clause?!". So, she purses her lips against her taser and Max's lips while holding on a power cable, which basically electrocutes Shreck. 

Danny DeVito also does well enough as the Penguin even if he plays the part a bit of character for the actual role of the Penguin as he plays him morely as a psychotic leering pervert, which makes it much harder to actually bother to sympathise with him.

Regardless of that DeVito does have some good scenes that include his first main one where the Penguin has Shreck brought to his undergound lair.  And as Shreck sees Penguin for the first time he says to Shreck "I believe the word you're looking for is......AGGGGGHHHHHHHHH!!!!".  And in the scene Penguin blackmails Shreck into helping with his plan to ascend above and become a citizen of Gotham.  And the Penguin says to Shreck of his late business partner, Fred Atkins, as he produces his dead partner's severed hand "Hi, Max! Remember me? I'm Fred's hand! You wanna greet any other body parts? Remember, Max. You flush it. I flaunt it!".

Then there is the scene where Catwoman meets with the Penguin to hatch a plan to discredit Batman and he leering walks into the room and says to her "Just the pussy I've been looking for!".  And in the scene Catwoman says to the Penguin that they have something in common and the Penguin asks "Sounds familiar. Appetite for destruction? Contempt for the czars of fashion? Wait, don't tell me... naked sexual charisma!" and Catwoman says to him "Batman!".  And as Catwoman says she wants to play the part in Batman's downfall, the Penguin lies on his bed and says "A plan is forming!" and he puts his webbed hands together and creates the shadow of a bat against the ceiling.

Another scene worth mentioning is when Batman confronts the Penguin and Batman says to him "admiring your handwork?" and the Penguin says "Touring the riot scene. Gravely assessing the devastation. Upstanding mayor stuff!".  And Batman says to him "You're not the mayor" and the Penguin menacingly says to him "Things change!".  And as Batman asks what does he want, the Penguin says "Ah, the direct approach. I admire that in a man with a mask!" and he says seriously "You don't really think you'll win, do you?!" and Batman says "Things change".  And as Catwoman appears and says "Meow" and Shreck's department store blows up, the Penguin says to Bats "I saw her first.  Gotta fly!" and he uses his motorised helicopter umbrella to fly away.

Then there is the scene where the Penguin pours some bubbly for her and Catwoman but she is a bit taken aback at him killing the Princess and she says "I thought you were going to scare the Ice Princess" and Penguin says "She looked pretty scared to me!". So, Penguin then makes leering advances on Catwoman but she rejects him saying "Oh, please I wouldn't touch you to scratch you!".  And this angers the Penguin who shouts "Ya lousy minx!  I oughta have you spayed!  You sent out all the signals and I don't think I like you anymore!" and he hooks his helicopter umbrella around her neck and opens it sending Catwoman flying up in the air and he looks at her saying "Goodbye, my unintended, to go Heaven!". 

Then there is the scene where the Penguin addresses the crowd during his speech which is sabotaged by Bruce who hacks into the PA and plays the recording of Penguin saying "You gotta admit I played this stinkin' city like a harp from hell!" and he repeats it over and over and this prompts the crowd to boo at him.  And then the crowd start to throw tomatoes, eggs and peeled cabbage at him and he puts up his umbrella to defend himself saying "Why is there always someone who brings eggs and tomatoes to a speech?!!".

Another scene is where the Penguin furiously returns to his lair after being disgraced live on TV by Bruce's recording of the Penguin's own words. So, in the scene, Penguins returns to his lair and one of his goons says "Good speech, Oswald" and the Penguin yells "My name is not Oswald, I am Penguin!! I am not a human being, I am an animal!!". So, he gives out his papers of the names of the first born sons of Gotham to his goons and says "And I will toss them all in a watery grave!!". However one of his clowns says "Uhh Penguin? Killing sleeping children, isn't that a little..." and Penguin annoyed grabs a gun umbrella and shoots him dead and says "No! Its a lot!" and kicks the clown's body into the water.

Last of all is the scene where Oswald's first born plan is foiled by Batman, so he goes to plan B where he has his army of penguins armed with rockets and he addresses them all. So, the Penguin says to them "My dear penguins, we stand on a great threshold! It's okay to be scared; many of you won't be coming back. Thanks to Batman, the time has come to punish all God's children! 1st, 2nd, 3rd *and* 4th-born! Why be biased? Male and female! Hell, the sexes are equal with their erogenous zones blown sky high! Forward march! The liberation of Gotham has begun!".    

Christopher Walken is also very good in his role as the corrupt businessman, Max Shreck and his sinister gravelling voice does help to make him a bit more threatening in certain moments.

Walken also has some good moments that include the scene where Shreck addresses the crowd near the start of the film but he hasn't his speech as Selina forgot to give it to him and he mutters to his son, Chip (Andrew Bryniarski) "Forgotten my speech, remind me to take it out on what's her name...".  And Shreck says to the crowd "I'm just some poor schmoe that got lucky and sue me if I wan't to given some more back!" and he receives much applause and he continues "I wish I could hand more than just expensive bobbles.  I wish I could hand out World Peace and Unconditional Love, wrapped in a big bow!".

Then there is the scene where Shreck catches Selina spying into his private files and he says to her menacingly "What did curiosity do to the cat???".  And Shreck warns her "This power plant is my legacy, what I leave behind for Chip.  NOTHING must prevent that!" and Selina says he can bully and intimidate her if he likes and "Its not like you can just kill me!" and Shreck says to her "Actually, its ALOT like that!".  And he leans towards her menacingly but then pulls back smiling and Selina laughs with relief saying "You had me for a second there..." and then Shreck gives a fake smile and without warning pushes her out the window.

Another good scene comes when Shreck meets with Bruce who opposes his power plant plan and all of a sudden Selina reappears as Shreck is about to see Bruce out and he looks stunned at her appearance.  And Shreck feebly tries to make an excuse for the cut on her head after her fall when Bruce asks about it " Did you injure yourself on that ski slope? Is that why you cut short your vacation and came back?".  And after Selina sees Bruce out, Chip asks Shreck if she buys Selina's excuse of a "blur or amnesia" and Shreck says "Women. Nothing surprises me, Chip, except your late mother. Who'd have thought Selina had a brain to damage. Bottom line, she tries to blackmail me, I'll drop her out a higher window. Meantime, I got better fish to fry!".

And lastly there is the moment where Selina reveals herself to Shreck as Catwoman, she takes off her mask and Shreck says to her "Selina?  Selina Kyle!  You're fired!".  And Shreck looks to Bruce, who has ripped off his Batman mask at this point and he says to him "And Bruce Wayne?  What are you doing dressed up as Batman????!" and Selina says "Cos he IS Batman, you moron!" and Shreck aims his gun at Bruce and says "Was!" and shoots him.

And lastly Michael Gough reprises his role nicely as Alfred Pennyworth, Bruce Wayne's trusted butler and confidant who helps him.

And Gough has some good moments too that include his first scene where Alfred, carrying bags is stopped by a paperboy and he says to the boy "My dear boy.  Sometimes it is a diversion to read such rubbish, but most of the time its a waste of time!" and he walks off leaving the paperboy indifferently saying "Whatever!".

And lastly (to keep this brief!) there is the scene when Bruce and Selina both separately speak to Alfred, both looking for excuses to give each other for why they have to suddenly leave.  And to Bruce, Alfred says to him as Bruce fumbles for an excuse "I will relay the message!".  And then Alfred goes to Selina and says "Miss Kyle, Mr Wayne told me to tell you....." and as Selina fumbles to make an excuse she asks "Could you just make up a sonnet or something? A dirty limerick?" and Alfred says to her "One has just sprung to mind!" and Selina says "Thanks" and runs out.

DIRECTION

As for the film's director, Tim Burton, he does a decent job but the problem is that he has been given a bit too much license to do what he wants with the film so it is filled with all sorts of weird and whacky ideas and sequences that we all too readily associate with Burton, which don't quite fit the Batman universe imo.

Regardless of that though there is no denying that Burton's visual style is incredible and he knows how to make a film look lavish and stunning as for the most part Batman Returns looks just that with large sets and unique visual style and its 80 million dollar budget is evident for all to see.  Burton also does a reasonable job with the action in the film too but for me there isn't quite enough of it here but of what there is its ok and Batman's fight scenes with Catwoman are highlights as are their little moments of biplay. 

MUSIC 
 
As for the music the score was again done by Danny Elfman, who provides a pretty decent score for the film but it isn't in the same class as his first one, which for me personally is one of my favourite film scores.  However the score still has some nice moments in it such as the opening scene where the Cobblepots decide to get rid of their son and the playful theme for Catwoman as she breaks into Shreck's department store.  Also the title theme is also pretty good in its build up for the motif of theme itself. So while overall its not one of Elfman's best scores its still a fairly good one.

The soundtrack also includes a track "Face to Face" by Siousxie and the Banshees, which is partly used in the scene where Bruce and Selina dance at the Masquerade ball and its actually not a bad track and way better than some of the stuff that Prince featured in the first film.  And one of the film's best points is the fact that it doesn't overly rely on using extra artists music to fill up the soundtrack, which is kept minimal here so well done to Burton there. 

Its also worth mentioning that this was the first film to use the surround sound format, Dolby Digital, which introduced the use of five separate channels of sound and an additional subwoofer for bass frequencies (i.e. the subwoofer gives more oomph to explosions and rumbling noises in films).  So from a technical point of view, Batman Returns is something of an innovation and set the blueprint for future surround sound films. 

FLAWS (Warning this section may also contain one or two spoilers!)

As for Batman Returns flaws.... yeah it does have some worth mentioning and for starters it has to be said that the film's much darker tone from the first one is one of the aspects I didn't like about it.  And as I previously said it felt like Tim Burton was given too much freedom to do what he wanted in the film and make it as weird and whacky as he wanted.

In fact one good example of this is having a small poodle dog carry a grenade in its mouth into a store and running out in time just before the store is blown up. Now, this is just stupid on a number of levels, I mean how would the dog pull out the pin of the grenade? Also, how did it manage to get out in time just before it exploded anyway? Also, this is perhaps the single cringiest moment in the film for me regardless and I never liked it as its just dumb as hell.   

It also introduced some pretty disturbing ideas into the story, particularly the subplot where the Penguin plans to kidnap all the first born sons of Gotham and drown them in chemical sludge in his underground lair.  I mean that is pretty strong stuff for a Batman film that is allegedly and supposedly targeted at family audiences.  And in the scene where the children are seen snatched almost resembles something out of Chitty Chitty Bang Bang, where the main villain, the Child Catcher snatches children off the streets.  Thankfully Batman quickly manages to put the Penguin's horrendous plan out of action as he rescues the children.

I also felt the film blurred the lines a bit between when Catwoman lost one of her 9 lives as there are certainly some instances when she wouldn't necessarily have died.  And one such instance is the one where Batman punches Catwoman off the roof after she stabs him and she lands safely (and rather conveniently at that!) into a sand truck and she later claims that Batman had killed her as a result, losing one of her 9 lives, however she wouldn't necessarily have been killed by this although just maybe she might have done, who knows???

And further to this point when Shreck shoots Selina later on in the Penguin's underground lair, he shoots her in non vital organs but she claims each bullet as a lost life but again these are not necessarily fatal wounds and would count as one of her lives lost.  So there is a pretty daft logic involved here (or a lack of) where Selina could have lost one of her lives and when she really didn't but yeah she sure somehow (SPOILER!!!) manages to survive frying Shreck using the taser to kiss him while holding onto a power cable attached to a electrical generator.  Yep you can survive that for sure! 

Another problem with the film that I had was to do with the idea of Batman killing people as here onscreen you clearly see him kill two bad guys.  And the two in question are a fire breather, which he sets on fire with the exhaust from his Batmobile and the other a big burly circus man who Batman attaches dynamite to and he punches him into a manhole and as Batman walks on, we see the explosion come up from below.  I mean this really violates the whole moral code of Batman's character as in the comic books he never killed anyone (nor does he in the video games) and Nolan later got Batman's morality right but here Burton is just happy for the dark knight to get blood on his hands.  So this again never really sat right for me although Zack Snyder has followed suit with his version of the dark knight in Batman vs Superman, but for me it never sat well that Batman should be a killer. 

I also felt that while the film's sets and its overall design is very impressive at the same time it really scales down Gotham to being more like a big village than an actual city and when you look at the small amount extras in the film it doesn't seem that populated for a big city either!  And the scenes that we do see people on the streets of Gotham in it feels like they are just walking around a town square and not a city.  So for me I think Burton should have represented Gotham better as an actual city as opposed to just using big expansive sets.

And further to the whole Selina/Catwoman thing I also thought it was a pretty stupid idea how Selina would somehow be revived by cats after being pushed out of a high story window when she most definitely would be dead from the impact of the fall anyway.  In that instance I'm pretty sure cats licking her hands and face isn't going to revive her from that one!  Not only that after Selina becomes Catwoman she all of a sudden has developed some kung-fu moves and has become a world class acrobat who can climb, jump and somersault all over the place!  I mean that cat saliva must have some serious regenerative powers that can bring anyone back from the dead, not to mention turn them into world class athletes with martial arts skills!!  

I also felt the film's climax (SPOILER!!) was a bit of a letdown with the Penguin's ridiculous back-up plan of using his penguins to launch a rocket assault on Gotham, it just seemed a really stupid and whacky idea that ultimately, thanks to Batman, falls flat on its face (rather like a penguin!).  And that also brings up the point as to how did the Penguin suddenly get swarmed by a bunch of bats just before he died????  I mean they seem to appear out of nowhere from behind the Batmobile, not unless Batman summoned them somehow, but it just seems a bit convenient that the bats come out of nowhere right at the moment to kill off the main villain!

And last of all the film is also known for that one scene which has a big continuity error where Bruce tears off his Batman mask to reveal himself to Selina.  However when Bruce does it in the moment before we see that he is wearing eyeliner under his Batman mask but when he rips off the mask the eyeliner has been removed.  And it kind of begs the question: why did they not redesign the mask so they didn't need to use eyeliner in the first place???  Perhaps it might be because they didn't want to make the eye slits for the mask too narrow or that would be uncomfortable for Michael Keaton, but if it wouldn't be then there is no real reason for Batman to wear eyeliner in the first place!  

Anyway that is for the flaws.

SUM UP

So in summing up, Batman Returns while its not a bad film, it is a bit of a letdown as a follow up to Burton's acclaimed first film.  Overall I think Burton had too much creative control given to him and it showed in the film with its overly dark tones, weird characters and twisted subplots that don't quite stack up.

It does have some good moments however here and there and Michelle Pfeiffer is very good as Catwoman/Selina Kyle and her scenes with Batman work well and she does a good job at showing Selina's struggles with her dual personality. Then there is are also some nice touches elsewhere and the film's set design and visuals are very impressive and Elfman's score is a pretty decent one.

But in the end I think there are far better Batman films than Batman Returns, which while its not the worst Batman film of all it sure isn't the best one either and for that reason while its fairly entertaining in places, it just doesn't work as a whole. 

So, I will give Batman Returns:

6 out of 10 

So, that's it for this one and I will be back soon with another post before the New Year.

So, until then its bye for now!